📝 Posted:

2024-04-11 22:45 UTC

🚚 Summary of:

P0278, P0279

⌨ Commits:

b6a7285...f0fbaf6, f0fbaf6...20bac82

💰 Funded by:

Yanga, Blue Bolt

🏷 Tags:

th02

+

rec98

-

cutscene

+

file-format

+

animation

+

pc98

-

unused

+

midboss

+

waste

+

score

+

sigma

+

That was quick: In a surprising turn of events, Romantique Tp themselves came in just one day after the last blog post went up, updated me with their current and much more positive opinion on Sound Canvas VA, and confirmed that real SC-88Pro hardware clamps invalid Reverb Macro values to the specified range. I promised to release a new Sound Canvas VA BGM pack for free once I knew the exact behavior of real hardware, so let's go right back to Seihou and also integrate the necessary SysEx patches into the game's MIDI player behind a toggle. This would also be a great occasion to quickly incorporate some long overdue code maintenance and build system improvements, and a migration to C++ modules in particular. When I started the Shuusou Gyoku Linux port a year ago, the combination of modules and <windows.h> threw lots of weird errors and even crashed the Visual Studio compiler. But nowadays, Microsoft even uses modules in the Office code base. This must mean that these issues are fixed by now, right?
Well, there's still a bug that causes the modularized C++ standard library to be basically unusable in combination with the static analyzer, and somehow, I was the first one to report it. So it's 3½ years after C++20 was finalized, and somehow, modules are still a bleeding-edge feature and a second-class citizen in even the compiler that supports them the best. I want fast compile times already! 😕
Thankfully, Microsoft agrees that this is a bug, and will work on it at some point. While we're waiting, let's return to the original plan of decompiling the endings of the one PC-98 Touhou game that still needed them decompiled.

1. TH02's endings
2. TH02's Staff Roll
3. TH02's verdict screen, and its hidden challenge
4. TH02's end-of-stage bonus screens

After the textless slideshows of TH01, TH02 was the first Touhou game to feature lore text in its endings. Given that this game stores its 📝 in-game dialog text in fixed-size plaintext files, you wouldn't expect anything more fancy for the endings either, so it's not surprising to see that the END?.TXT files use the same concept, with 44 visible bytes per line followed by two bytes of padding for the CR/LF newline sequence. Each of these lines is typed to the screen in full, with all whitespace and a fixed time for each 2-byte chunk.
As a result, everything surrounding the text is just as hardcoded as TH01's endings were, which once again opens up the possibility of freely integrating all sorts of creative animations without the overhead of an interpreter. Sadly, TH02 only makes use of this freedom in a mere two cases: the picture scrolling effect from Reimu's head to Marisa's head in the Bad Endings, and a single hardware palette change in the Good Endings.

Hardcoding also still made sense for this game because of how the ending text is structured. The Good and Bad Endings for the individual shot types respectively share 55% and 77% of their text, and both only diverge after the first 27 lines. In straight-line procedural code, this translates to one branch for each shot type at a single point, neatly matching the high-level structure of these endings.

But that's the end of the positive or neutral aspects I can find in these scripts. The worst part, by far, is ZUN's approach to displaying the text in alternating colors, and how it impacts the entire structure of the code.
The simplest solution would have involved a hardcoded array with the color of each line, just like how the in-game dialogs store the face IDs for each text box. But for whatever reason, ZUN did not apply this piece of wisdom to the endings and instead hardcoded these color changes by… mutating a global variable before calling the text typing function for every individual line. This approach ruins any possibility of compressing the script code into loops. While ZUN did use loops, all of them are very short because they can only last until the next color change. In the end, the code contains 90 explicitly spelled-out calls to the 5-parameter line typing function that only vary in the pointer to each line and in the slower speed used for the one or two final lines of each ending. As usual, I've deduplicated the code in the ReC98 repository down to a sensible level, but here's the full inlined and macro-expanded horror:

All this redundancy bloats the two script functions for the 6 endings to a whopping 3,344 bytes inside TH02's MAINE.EXE. In particular, the single function that covers the three Good Endings ends up with a total of 631 x86 ASM instructions, making it the single largest function in TH02 and the 7^th longest function in all of PC-98 Touhou. If the 📝 single-executable build for TH02's debloated and anniversary branches ends up needing a few more KB to reduce its size below the original MAIN.EXE, there are lots of opportunities to compress it all.

The ending text can also be fast-forwarded by holding any key. As we've come to expect for this sort of ZUN code, the text typing function runs its own rendering loop with VSync delays and input detection, which means that we 📝 once 📝 again have to talk about the infamous quirk of the PC-98 keyboard controller in relation to held keys. We've still got 54 not yet decompiled calls to input detection functions left in this codebase, are you excited yet?!
Holding any key speeds up the text of all ending lines before the last one by displaying two kana/kanji instead of one per rendered frame and reducing the delay between the rendered frames to ¹/₃ of its regular length. In pseudocode:

for(i = 0; i < number_of_2_byte_chunks_on_displayed_line; i++) {
	input = convert_current_pc98_bios_input_state_to_game_specific_bitflags();
	add_chunk_to_internal_text_buffer(i);
	blit_internal_text_buffer_from_the_beginning();
	if(input == INPUT_NONE) {
		// Basic case, no key pressed
		frame_delay(frames_per_chunk);
	} else if((i % 2) == 1) {
		// Key pressed, chunk number is odd.
		frame_delay(frames_per_chunk / 3);
	} else {
		// Key pressed, chunk number is even.
		// No delay; next iteration adds to the same frame.
	}
}

This is exactly the kind of code you would write if you wanted to deliberately maximize the impact of this hardware quirk. If the game happens to read the current input state right after a key up scancode for the last previously held and game-relevant key, it will then wrongly take the branch that uninterruptibly waits for the regular, non-divided amount of VSync interrupts. In my tests, this broke the rhythm of the fast-forwarded text about once per line. Note how this branch can also be taken on an even chunk: Rendering glyphs straight from font ROM to VRAM is not exactly cheap, and if each iteration (needlessly) blits one more full-width glyph than the last one, the probability of a key up scancode arriving in the middle of a frame only increases.
The fact that TH02 allows any of the supported input keys to be held points to another detail of this quirk I haven't mentioned so far. If you press multiple keys at once, the PC-98's keyboard controller only sends the periodic key up scancodes as long as you are holding the last key you pressed. Because the controller only remembers this last key, pressing and releasing any other key would get rid of these scancodes for all keys you are still holding.
As usual, this ZUN bug only occurs on real hardware and with DOSBox-X's correct emulation of the PC-98 keyboard controller.

After the ending, we get to witness the most seamless transition between ending and Staff Roll in any Touhou game as the BGM immediately changes to the Staff Roll theme, and the ending picture is shifted into the same place where the Staff Roll pictures will appear. Except that the code misses the exact position by four pixels, and cuts off another four pixels at the right edge of the picture:

What follows is a comparatively large amount of unused content for a single scene. It starts right at the end of this underappreciated 11-frame animation loaded from ENDFT.BFT:

TH02's Staff Roll is also unique for the pre-made screenshots of all 5 stages that get shown together with a fancy rotating rectangle animation while the Staff Roll progresses in sync with the BGM. The first interesting detail shows up immediately after the first image, where the code jumps over one of the 320×200 quarters in ED06.PI, leaving the screenshot of the Stage 2 midboss unused.
All of the cutscenes in PC-98 Touhou store their pictures as 320×200 quarters within a single 640×400 .PI file. Anywhere else, all four quarters are supposed to be displayed with the same palette specified in the .PI header, but TH02's Staff Roll screenshots are also unique in how all quarters beyond the top-left one require palettes loaded from external .RGB files to look right. Consequently, the game doesn't clearly specify the intended palette of this unused screenshot, and leaves two possibilities:

It might seem obvious that the Stage 2 palette in 1️⃣ is the correct one, but ZUN indeed uses ED06B.RGB with the red-tinted white color for the following screenshot of the Meira fight. Not only does this palette not match Meira's in-game appearance, but it also discolors the rectangle animation and the surrounding Staff Roll text:

But when I went into Stage 2 to compare these colors to the in-game palette, I found something even more curious. ZUN obviously made this screenshot with the Reimu-C shot type, but one of the shot sprites looks slightly different from how it does in-game. These screenshots must have been made earlier in development when the sprite didn't yet feature the second ring at the top. The same applies to the Stage 4 screenshot later on:

Finally, the rotating rectangle animation delivers one more minor rendering bug. Each of the 20 frames removes the largest and outermost rectangle from VRAM by redrawing it in the same black color of the background before drawing the remaining rectangles on top. The corners of these rectangles are placed on a shrinking circle that starts with a radius of 256 pixels and is centered at (192, 200), which results in a maximum possible X coordinate of 448 for the rightmost corner of the rectangle. However, the Staff Roll text starts at an X coordinate of 416, causing the first two full-width glyphs to still fall within the area of the circle. Each line of text is also only rendered once before the animation. So if any of the rectangles then happens to be placed at an angle that causes its edges to overlap the text, its removal will cut small holes of black pixels into the glyphs:

At least the following verdict screen manages to have no bugs aside from the slightly imperfect centering of its table values, and only comes with a small amount of additional bloat. Let's get right to the mapping from skill points to the 12 title strings from END3.TXT, because one of them is not like the others:

So how would you get exactly 77 and achieve vanilla harmony? Here's the formula:

And with that, TH02's MAINE.EXE is both fully position-independent and ready for translation. There's a tiny bit of undecompiled bit of code left in the binary, but I'll leave that for rounding up a future TH02 decompilation push.

With one of the game's skill-based formulas decompiled, it's fitting to round out the second push with the other two. The in-game bonus tables at the end of a stage also have labels that we'd eventually like to translate, after all.
The bonus formula for the 4 regular stages is also the first place where we encounter TH02's rank value, as well as the only instance in PC-98 Touhou where the game actually displays a rank-derived value to the player. KirbyComment and Colin Douglas Howell accurately documented the rank mechanics over at Touhou Wiki two years ago, which helped quite a bit as rank would have been slightly out of scope for these two pushes. 📝 Similar to TH01, TH02's rank value only affects bullet speed, but the exact details of how rank is factored in will have to wait until RE progress arrives at this game's bullet system.
These bonuses are calculated by taking a sum of various gameplay metrics and multiplying it with the amount of point items collected during the stage. In the 4 regular stages, the sum consists of:

As rank can range from -6 to +4 on Easy and +16 on the other difficulties, this sum can range between:

The sum for the Extra Stage is not documented in 封魔録.TXT:

And that's two pushes packed full of the most bloated and copy-pasted code that's unique to TH02! So bloated, in fact, that TH02 RE as a whole jumped by almost 7%, which in turn finally pushed overall RE% over the 60% mark. 🎉 It's been a while since we hit a similar milestone; 50% overall RE happened almost 2 years ago during 📝 P0204, a month before I completed the TH01 decompilation.
Next up: Continuing to wait for Microsoft to fix the static analyzer bug until May at the latest, and working towards the newly popular dreams of TH03 netplay by looking at some of its foundational gameplay code.

📝 Posted:

2024-02-03 08:03 UTC

🚚 Summary of:

P0264, P0265

⌨ Commits:

46cd6e7...78728f6, 78728f6...ff19bed

💰 Funded by:

Blue Bolt, [Anonymous], iruleatgames

🏷 Tags:

th02

+

th03

+

th04

+

th05

+

rec98

-

menu

+

animation

+

master.lib

+

pc98

-

file-format

+

cutscene

+

boss

+

midboss

+

stones

+

good-code

+

position-independence

+

Oh, it's 2024 already and I didn't even have a delivery for December or January? Yeah… I can only repeat what I said at the end of November, although the finish line is actually in sight now. With 10 pushes across 4 repositories and a blog post that has already reached a word count of 9,240, the Shuusou Gyoku SC-88Pro BGM release is going to break 📝 both the push record set by TH01 Sariel two years ago, and 📝 the blog post length record set by the last Shuusou Gyoku delivery. Until that's done though, let's clear some more PC-98 Touhou pushes out of the backlog, and continue the preparation work for the non-ASCII translation project starting later this year.

But first, we got another free bugfix according to my policy! 📝 Back in April 2022 when I researched the Divide Error crash that can occur in TH04's Stage 4 Marisa fight, I proposed and implemented four possible workarounds and let the community pick one of them for the generally recommended small bugfix mod. I still pushed the others onto individual branches in case the gameplay community ever wants to look more closely into them and maybe pick a different one… except that I accidentally pushed the wrong code for the warp workaround, probably because I got confused with the second warp variant I developed later on.
Fortunately, I still had the intended code for both variants lying around, and used the occasion to merge the current master branch into all of these mod branches. Thanks to wyatt8740 for spotting and reporting this oversight!

1. The Music Room background masking effect
2. The GRCG's plane disabling flags
3. Text color restrictions
4. The entire messy rest of the Music Room code
5. TH04's partially consistent congratulation picture on Easy Mode
6. TH02's boss position and damage variables

As the final piece of code shared in largely identical form between 4 of the 5 games, the Music Rooms were the biggest remaining piece of low-hanging fruit that guaranteed big finalization% gains for comparatively little effort. They seemed to be especially easy because I already decompiled TH02's Music Room together with the rest of that game's OP.EXE back in early 2015, when this project focused on just raw decompilation with little to no research. 9 years of increased standards later though, it turns out that I missed a lot of details, and ended up renaming most variables and functions. Combined with larger-than-expected changes in later games and the usual quality level of ZUN's menu code, this ended up taking noticeably longer than the single push I expected.

The undoubtedly most interesting part about this screen is the animation in the background, with the spinning and falling polygons cutting into a single-color background to reveal a spacey image below. However, the only background image loaded in the Music Room is OP3.PI (TH02/TH03) or MUSIC3.PI (TH04/TH05), which looks like this in a .PI viewer or when converted into another image format with the usual tools:

That is definitely the color that appears on top of the polygons, but where is the spacey background? If there is no other .PI file where it could come from, it has to be somewhere in that same file, right?
And indeed: This effect is another bitplane/color palette trick, exactly like the 📝 three falling stars in the background of TH04's Stage 5. If we set every bit on the first bitplane and thus change any of the resulting even hardware palette color indices to odd ones, we reveal a full second 8-color sub-image hiding in the same .PI file:

On a high level, the first bitplane therefore acts as a stencil buffer that selects between the blank and spacey sub-image for every pixel. The important part here, however, is that the first bitplane of the blank sub-images does not consist entirely of 0 bits, but does have 1 bits at the pixels that represent the caption that's supposed to be overlaid on top of the animation. Since there now are some pixels that should always be taken from the spacey sub-image regardless of whether they're covered by a polygon, the game can no longer just clear the first bitplane at the start of every frame. Instead, it has to keep a separate copy of the first bitplane's original state (called nopoly_B in the code), captured right after it blitted the .PI image to VRAM. Turns out that this copy also comes in quite handy with the text, but more on that later.

Then, the game simply draws polygons onto only the reblitted first bitplane to conditionally set the respective bits. ZUN used master.lib's grcg_polygon_c() function for this, which means that we can entirely thank the uncredited master.lib developers for this iconic animation – if they hadn't included such a function, the Music Rooms would most certainly look completely different.
This is where we get to complete the series on the PC-98 GRCG chip with the last remaining four bits of its mode register. So far, we only needed the highest bit (0x80) to either activate or deactivate it, and the bit below (0x40) to choose between the 📝 RMW and 📝 TCR/📝 TDW modes. But you can also use the lowest four bits to restrict the GRCG's operations to any subset of the four bitplanes, leaving the other ones untouched:

// Enable the GRCG (0x80) in regular RMW mode (0x40). All bitplanes are
// enabled and written according to the contents of the tile register.
outportb(0x7C, 0xC0);

// The same, but limiting writes to the first bitplane by disabling the
// second (0x02), third (0x04), and fourth (0x08) one, as done in the
// PC-98 Touhou Music Rooms.
outportb(0x7C, 0xCE);

// Regular GRCG blitting code to any VRAM segment…
pokeb(0xA8000, offset, …);

// We're done, turn off the GRCG.
outportb(0x7C, 0x00);

This could be used for some unusual effects when writing to two or three of the four planes, but it seems rather pointless for this specific case at first. If we only want to write to a single plane, why not just do so directly, without the GRCG? Using that chip only involves more hardware and is therefore slower by definition, and the blitting code would be the same, right?
This is another one of these questions that would be interesting to benchmark one day, but in this case, the reason is purely practical: All of master.lib's polygon drawing functions expect the GRCG to be running in RMW mode. They write their pixels as bitmasks where 1 and 0 represent pixels that should or should not change, and leave it to the GRCG to combine these masks with its tile register and OR the result into the bitplanes instead of doing so themselves. Since GRCG writes are done via MOV instructions, not using the GRCG would turn these bitmasks into actual dot patterns, overwriting any previous contents of each VRAM byte that gets modified.
Technically, you'd only have to replace a few MOV instructions with OR to build a non-GRCG version of such a function, but why would you do that if you haven't measured polygon drawing to be an actual bottleneck.

As far as complexity is concerned though, the worst part is the implicit logic that allows all this text to show up on top of the polygons in the first place. If every single piece of text is only rendered a single time, how can it appear on top of the polygons if those are drawn every frame?
Depending on the game (because of course it's game-specific), the answer involves either the individual bits of the text color index or the actual contents of the palette:

• Colors 0 or 1 can't be used, because those don't include any of the bits that can stay constant between frames.
• If the lowest bit of a palette color index has no effect on the displayed color, text drawn in either of the two colors won't be visually affected by the polygon animation and will always appear on top. TH04 and TH05 rely on this property with their colors 2/3, 4/5, and 6/7 being identical, but this would work in TH02 and TH03 as well.
• But this doesn't apply to TH02 and TH03's palettes, so how do they do it? The secret: They simply include all text pixels in nopoly_B. This allows text to use any color with an odd palette index – the lowest bit then won't be affected by the polygons ORed into the first bitplane, and the other bitplanes remain unchanged.
• TH04 is a curious case. Ostensibly, it seems to remove support for odd text colors, probably because the new 10-frame fade-in animation on the comment text would require at least the comment area in VRAM to be captured into nopoly_B on every one of the 10 frames. However, the initial pixels of the tracklist are still included in nopoly_B, which would allow those to still use any odd color in this game. ZUN only removed those from nopoly_B in TH05, where it had to be changed because that game lets you scroll and browse through multiple tracklists.

Finally, here's a list of all the smaller details that turn the Music Rooms into such a mess:

• Due to the polygon animation, the Music Room is one of the few double-buffered menus in PC-98 Touhou, rendering to both VRAM pages on alternate frames instead of using the other page to store a background image. Unfortunately though, this doesn't actually translate to tearing-free rendering because ZUN's initial implementation for TH02 mixed up the order of the required operations. You're supposed to first wait for the GDC's VSync interrupt and then, within the display's vertical blanking interval, write to the relevant I/O ports to flip the accessed and shown pages. Doing it the other way around and flipping as soon as you're finished with the last draw call of a frame means that you'll very likely hit a point where the (real or emulated) electron beam is still traveling across the screen. This ensures that there will be a tearing line somewhere on the screen on all but the fastest PC-98 models that can render an entire frame of the Music Room completely within the vertical blanking interval, causing the very issue that double-buffering was supposed to prevent.
  ZUN only fixed this landmine in TH05.

• The polygons have a fixed vertex count and radius depending on their index, everything else is randomized. They are also never reinitialized while OP.EXE is running – if you leave the Music Room and reenter it, they will continue animating from the same position.

• Except for TH05's repeatable ⬆️ up and ⬇️ down inputs, the games force you to release any pressed key before they will handle any new input. But since the game is running on a PC-98, we 📝 once again have to mention the infamous quirk of the keyboard controller with regard to held keys. Funnily enough, the games go back and forth in how they address it, in a way that matches the 📝 additional delay of the cutscene interpreter loop:

  • TH02 and TH04 don't handle it at all, causing held keys to be processed again after about a second.
  • TH03 and TH05 correctly work around the quirk, at the usual cost of a 614.4 µs delay per frame. Except that the delay is actually twice as long in frames in which a previously held key is released, because this code is a mess.

  But even in 2024, DOSBox-X is the only emulator that actually replicates this detail of real hardware. On anything else, keyboard input will behave as ZUN intended it to. At least I've now mentioned this once for every game, and can just link back to this blog post for the other menus we still have to go through, in case their game-specific behavior matches this one.

• TH02 is the only game that

  1. separately lists the stage and boss themes of the main game, rather than following the in-game order of appearance,
  2. continues playing the selected track when leaving the Music Room,
  3. always loads both MIDI and PMD versions, regardless of the currently selected mode, and
  4. does not stop the currently playing track before loading the new one into the PMD and MMD drivers.

  The combination of 2) and 3) allows you to leave the Music Room and change the music mode in the Option menu to listen to the same track in the other version, without the game changing back to the title screen theme. 4), however, might cause the PMD and MMD drivers to play garbage for a short while if the music data is loaded from a slow storage device that takes longer than a single period of the OPN timer to fill the driver's song buffer. Probably not worth mentioning anymore though, now that people no longer try fitting PC-98 Touhou games on floppy disks.

• The comment text files use another fixed-size plaintext format, just like 📝 TH02's in-game dialog system or 📝 TH03's win messages:

  • Exactly 40 (TH02/TH03) / 38 (TH04/TH05) visible bytes per line,
  • padded with 2 bytes that can hold a CR/LF newline sequence for easier editing.
  • Every track starts with a title line that mostly just duplicates the names from the hardcoded tracklist,
  • followed by a fixed 19 (TH02/TH03/TH04) / 9 (TH05) comment lines.

  In TH04 and TH05, lines can start with a semicolon (;) to prevent them from being rendered. This is purely a performance hint, and is visually equivalent to filling the line with spaces.

• All in all, the quality of the code is even slightly below the already poor standard for PC-98 Touhou: More VRAM page copies than necessary, conditional logic that is nested way too deeply, a distinct avoidance of state in favor of loops within loops, and – of course – a couple of gotos to jump around as needed.
  In TH05, this gets so bad with the scrolling and game-changing tracklist that it all gives birth to a wonderfully obscure inconsistency: When pressing both ⬆️/⬇️ and ⬅️/➡️ at the same time, the game first processes the vertical input and then the horizontal one in the next frame, making it appear as if the latter takes precedence. Except when the cursor is highlighting the first (⬆️ ) or 12^th (⬇️ ) element of the list, and said list element is not the first track (⬆️ ) or the quit option (⬇️ ), in which case the horizontal input is ignored.

And that's all the Music Rooms! The OP.EXE binaries of TH04 and especially TH05 are now very close to being 100% RE'd, with only the respective High Score menus and TH04's title animation still missing. As for actual completion though, the finalization% metric is more relevant as it also includes the ZUN Soft logo, which I RE'd on paper but haven't decompiled. I'm 📝 still hoping that this will be the final piece of code I decompile for these two games, and that no one pays to get it done earlier…

For the rest of the second push, there was a specific goal I wanted to reach for the remaining anything budget, which was blocked by a few functions at the beginning of TH04's and TH05's MAINE.EXE. In another anticlimactic development, this involved yet another way too early decompilation of a main() function…
Generally, this main() function just calls the top-level functions of all other ending-related screens in sequence, but it also handles the TH04-exclusive congratulating All Clear images within itself. After a 1CC, these are an additional reward on top of the Good Ending, showing the player character wearing a different outfit depending on the selected difficulty. On Easy Mode, however, the Good Ending is unattainable because the game always ends after Stage 5 with a Bad Ending, but ZUN still chose to show the EASY ALL CLEAR!! image in this case, regardless of how many continues you used.
While this might seem inconsistent with the other difficulties, it is consistent within Easy Mode itself, as the enforced Bad Ending after Stage 5 also doesn't distinguish between the number of continues. Also, Try to Normal Rank!! could very well be ZUN's roundabout way of implying "because this is how you avoid the Bad Ending".

With that out of the way, I was finally able to separate the VRAM text renderer of TH04 and TH05 into its own assembly unit, 📝 finishing the technical debt repayment project that I couldn't complete in 2021 due to assembly-time code segment label arithmetic in the data segment. This now allows me to translate this undecompilable self-modifying mess of ASM into C++ for the non-ASCII translation project, and thus unify the text renderers of all games and enhance them with support for Unicode characters loaded from a bitmap font. As the final finalized function in the SHARED segment, it also allowed me to remove 143 lines of particularly ugly segmentation workarounds 🙌

The remaining ¹/₆th of the second push provided the perfect occasion for some light TH02 PI work. The global boss position and damage variables represented some equally low-hanging fruit, being easily identified global variables that aren't part of a larger structure in this game. In an interesting twist, TH02 is the only game that uses an increasing damage value to track boss health rather than decreasing HP, and also doesn't internally distinguish between bosses and midbosses as far as these variables are concerned. Obviously, there's quite a bit of state left to be RE'd, not least because Marisa is doing her own thing with a bunch of redundant copies of her position, but that was too complex to figure out right now.

Also doing their own thing are the Five Magic Stones, which need five positions rather than a single one. Since they don't move, the game doesn't have to keep 📝 separate position variables for both VRAM pages, and can handle their positions in a much simpler way that made for a nice final commit.
And for the first time in a long while, I quite like what ZUN did there! Not only are their positions stored in an array that is indexed with a consistent ID for every stone, but these IDs also follow the order you fight the stones in: The two inner ones use 0 and 1, the two outer ones use 2 and 3, and the one in the center uses 4. This might look like an odd choice at first because it doesn't match their horizontal order on the playfield. But then you notice that ZUN uses this property in the respective phase control functions to iterate over only the subrange of active stones, and you realize how brilliant it actually is.

This seems like a really basic thing to get excited about, especially since the rest of their data layout sure isn't perfect. Splitting each piece of state and even the individual X and Y coordinates into separate 5-element arrays is still counter-productive because the game ends up paying more memory and CPU cycles to recalculate the element offsets over and over again than this would have ever saved in cache misses on a 486. But that's a minor issue that could be fixed with a few regex replacements, not a misdesigned architecture that would require a full rewrite to clean it up. Compared to the hardcoded and bloated mess that was 📝 YuugenMagan's five eyes, this is definitely an improvement worthy of the good-code tag. The first actual one in two years, and a welcome change after the Music Room!

These three pieces of data alone yielded a whopping 5% of overall TH02 PI in just ¹/₆th of a push, bringing that game comfortably over the 60% PI mark. MAINE.EXE is guaranteed to reach 100% PI before I start working on the non-ASCII translations, but at this rate, it might even be realistic to go for 100% PI on MAIN.EXE as well? Or at least technical position independence, without the false positives.

Next up: Shuusou Gyoku SC-88Pro BGM. It's going to be wild.

📝 Posted:

2023-06-30 23:52 UTC

🚚 Summary of:

P0245

⌨ Commits:

97f0c3b...5876755

💰 Funded by:

Blue Bolt, Ember2528, [Anonymous], Yanga

🏷 Tags:

th02

+

th04

+

th05

+

rec98

-

midboss

+

blitting

+

animation

+

master.lib

+

pc98

-

uth05win

+

debloating

+

And then, the supposed boilerplate code revealed yet another confusing issue that quickly forced me back to serial work, leading to no parallel progress made with Shuusou Gyoku after all. 🥲 The list of functions I put together for the first ½ of this push seemed so boring at first, and I was so sure that there was almost nothing I could possibly talk about:

• TH02's gaiji animations at the start and end of each stage, resembling opening and closing window blind slats. ZUN should have maybe not defined the regular whitespace gaiji as what's technically the last frame of the closing animation, but that's a minor nitpick. Nothing special there otherwise.
• The remaining spawn functions for TH04's and TH05's gather circles. The only dumb antic there is the way ZUN initializes the template for bullets fired at the end of the animation, featuring ASM instructions that are equivalent to what Turbo C++ 4.0J generates for the __memcpy__ intrinsic, but show up in a different order. Which means that they must have been handwritten. I already figured that out in 2022 though, so this was just more of the same.
• EX-Alice's override for the game's main 16×16 sprite sheet, loaded during her dialog script. More of a naming and consistency challenge, if anything.

  

• The rendering function for TH04's Stage 4 midboss, which seems to feature the same premature clipping quirk we've seen for 📝 TH05's Stage 5 midboss, 7 months ago?
• The rendering function for the big 48×48 explosion sprite, which also features the same clipping quirk?

That's three instances of ZUN removing sprites way earlier than you'd want to, intentionally deciding against those sprites flying smoothly in and out of the playfield. Clearly, there has to be a system and a reason behind it.

Turns out that it can be almost completely blamed on master.lib. None of the super_*() sprite blitting functions can clip the rendered sprite to the edges of VRAM, and much less to the custom playfield rectangle we would actually want here. This is exactly the wrong choice to make for a game engine: Not only is the game developer now stuck with either rendering the sprite in full or not at all, but they're also left with the burden of manually calculating when not to display a sprite.
However, strictly limiting the top-left screen-space coordinate to (0, 0) and the bottom-right one to (640, 400) would actually stop rendering some of the sprites much earlier than the clipping conditions we encounter in these games. So what's going on there?

The answer is a combination of playfield borders, hardware scrolling, and master.lib needing to provide at least some help to support the latter. Hardware scrolling on PC-98 works by dividing VRAM into two vertical partitions along the Y-axis and telling the GDC to display one of them at the top of the screen and the other one below. The contents of VRAM remain unmodified throughout, which raises the interesting question of how to deal with sprites that reach the vertical edges of VRAM. If the top VRAM row that starts at offset 0x0000 ends up being displayed below the bottom row of VRAM that starts at offset 0x7CB0 for 399 of the 400 possible scrolling positions, wouldn't we then need to vertically wrap most of the rendered sprites?
For this reason, master.lib provides the super_roll_*() functions, which unconditionally perform exactly this vertical wrapping. But this creates a new problem: If these functions still can't clip, and don't even know which VRAM rows currently correspond to the top and bottom row of the screen (since master.lib's graph_scrollup() function doesn't retain this information), won't we also see sprites wrapping around the actual edges of the screen? That's something we certainly wouldn't want in a vertically scrolling game…
The answer is yes, and master.lib offers no solution for this issue. But this is where the playfield borders come in, and helpfully cover 16 pixels at the top and 16 pixels at the bottom of the screen. As a result, they can hide up to 32 rows of potentially wrapped sprite pixels below them:

And that's how the lowest possible top Y coordinate for sprites blitted using the master.lib super_roll_*() functions during the scrolling portions of TH02, TH04, and TH05 is not 0, but -16. Any lower, and you would actually see some of the sprite's upper pixels at the bottom of the playfield, as there are no more opaque black text cells to cover them. Theoretically, you could lower this number for some animation frames that start with multiple rows of transparent pixels, but I thankfully haven't found any instance of ZUN using such a hack. So far, at least…
Visualized like that, it all looks quite simple and logical, but for days, I did not realize that these sprites were rendered to a scrolling VRAM. This led to a much more complicated initial explanation involving the invisible extra space of VRAM between offsets 0x7D00 and 0x7FFF that effectively grant a hidden additional 9.6 lines below the playfield. Or even above, since PC-98 hardware ignores the highest bit of any offset into a VRAM bitplane segment (& 0x7FFF), which prevents blitting operations from accidentally reaching into a different bitplane. Together with the aforementioned rows of transparent pixels at the top of these midboss sprites, the math would have almost worked out exactly.

The need for manual clipping also applies to the X-axis. Due to the lack of scrolling in this dimension, the boundaries there are much more straightforward though. The minimum left coordinate of a sprite can't fall below 0 because any smaller coordinate would wrap around into the 📝 tile source area and overwrite some of the pixels there, which we obviously don't want to re-blit every frame. Similarly, the right coordinate must not extend into the HUD, which starts at 448 pixels.
The last part might be surprising if you aren't familiar with the PC-98 text chip. Contrary to the CGA and VGA text modes of IBM-compatibles, PC-98 text cells can only use a single color for either their foreground or background, with the other pixels being transparent and always revealing the pixels in VRAM below. If you look closely at the HUD in the images above, you can see how the background of cells with gaiji glyphs is slightly brighter (◼ #100) than the opaque black cells (◼ #000) surrounding them. This rather custom color clearly implies that those pixels must have been rendered by the graphics GDC. If any other sprite was rendered below the HUD, you would equally see it below the glyphs.

So in the end, I did find the clear and logical system I was looking for, and managed to reduce the new clipping conditions down to a set of basic rules for each edge. Unfortunately, we also need a second macro for each edge to differentiate between sprites that are smaller or larger than the playfield border, which is treated as either 32×32 (for super_roll_*()) or 32×16 (for non-"rolling" super_*() functions). Since smaller sprites can be fully contained within this border, the games can stop rendering them as soon as their bottom-right coordinate is no longer seen within the playfield, by comparing against the clipping boundaries with <= and >=. For example, a 16×16 sprite would be completely invisible once it reaches (16, 0), so it would still be rendered at (17, 1). A larger sprite during the scrolling part of a stage, like, say, the 64×64 midbosses, would still be rendered if their top-left coordinate was (0, -16), so ZUN used < and > comparisons to at least get an additional pixel before having to stop rendering such a sprite. Turbo C++ 4.0J sadly can't constant-fold away such a difference in comparison operators.

And for the most part, ZUN did follow this system consistently. Except for, of course, the typical mistakes you make when faced with such manual decisions, like how he treated TH04's Stage 4 midboss as a "small" sprite below 32×32 pixels (it's 64×64), losing that precious one extra pixel. Or how the entire rendering code for the 48×48 boss explosion sprite pretends that it's actually 64×64 pixels large, which causes even the initial transformation into screen space to be misaligned from the get-go. But these are additional bugs on top of the single one that led to all this research.
Because that's what this is, a bug. 🐞 Every resulting pixel boundary is a systematic result of master.lib's unfortunate lack of clipping. It's as much of a bug as TH01's byte-aligned rendering of entities whose internal position is not byte-aligned. In both cases, the entities are alive, simulated, and partake in collision detection, but their rendered appearance doesn't accurately reflect their internal position.
Initially, I classified 📝 the sudden pop-in of TH05's Stage 5 midboss as a quirk because we had no conclusive evidence that this wasn't intentional, but now we do. There have been multiple explanations for why ZUN put borders around the playfield, but master.lib's lack of sprite clipping might be the biggest reason.

And just like byte-aligned rendering, the clipping conditions can easily be removed when porting the game away from PC-98 hardware. That's also what uth05win chose to do: By using OpenGL and not having to rely on hardware scrolling, it can simply place every sprite as a textured quad at its exact position in screen space, and then draw the black playfield borders on top in the end to clip everything in a single draw call. This way, the Stage 5 midboss can smoothly fly into the playfield, just as defined by its movement code:

Meanwhile, I designed the interface of the 📝 generic blitter used in the TH01 Anniversary Edition entirely around clipping the blitted sprite at any explicit combination of VRAM edges. This was nothing I tacked on in the end, but a core aspect that informed the architecture of the code from the very beginning. You really want to have one and only one place where sprite clipping is done right – and only once per sprite, regardless of how many bitplanes you want to write to.

Which brings us to the goal that the final ¼ of this push went toward. I thought I was going to start cleaning up the 📝 player movement and rendering code, but that turned out too complicated for that amount of time – especially if you want to start with just cleanup, preserving all original bugs for the time being.
Fixing and smoothening player and Orb movement would be the next big task in Anniversary Edition development, needing about 3 pushes. It would start with more performance research into runtime-shifting of larger sprites, followed by extending my generic blitter according to the results, writing new optimized loaders for the original image formats, and finally rewriting all rendering code accordingly. With that code in place, we can then start cleaning up and fixing the unique code for each boss, one by one.

Until that's funded, the code still contains a few smaller and easier pieces of code that are equally related to rendering bugs, but could be dealt with in a more incremental way. Line rendering is one of those, and first needs some refactoring of every call site, including 📝 the rotating squares around Mima and 📝 YuugenMagan's pentagram. So far, I managed to remove another 1,360 bytes from the binary within this final ¼ of a push, but there's still quite a bit to do in that regard.
This is the perfect kind of feature for smaller (micro-)transactions. Which means that we've now got meaningful TH01 code cleanup and Anniversary Edition subtasks at every price range, no matter whether you want to invest a lot or just a little into this goal.

If you can, because Ember2528 revealed the plan behind his Shuusou Gyoku contributions: A full-on Linux port of the game, which will be receiving all the funding it needs to happen. 🐧 Next up, therefore: Turning this into my main project within ReC98 for the next couple of months, and getting started by shipping the long-awaited first step towards that goal.
I've raised the cap to avoid the potential of rounding errors, which might prevent the last needed Shuusou Gyoku push from being correctly funded. I already had to pick the larger one of the two pending TH02 transactions for this push, because we would have mathematically ended up ¹/₂₅₅₀₀ short of a full push with the smaller transaction. And if I'm already at it, I might as well free up enough capacity to potentially ship the complete OpenGL backend in a single delivery, which is currently estimated to cost 7 pushes in total.

📝 Posted:

2023-05-29 23:39 UTC

🚚 Summary of:

P0240, P0241

⌨ Commits:

be69ab6...40c900f, 40c900f...08352a5

💰 Funded by:

JonathKane, Blue Bolt, [Anonymous]

🏷 Tags:

th03

+

th04

+

th05

+

rec98

-

meta

+

seihou

+

sh01

+

bullet

+

boss

+

kurumi

+

reimu-4

+

marisa-4

+

yuuka-5

+

yuuka-6

+

gengetsu

+

bug

+

animation

+

pc98

-

Well, well. My original plan was to ship the first step of Shuusou Gyoku OpenGL support on the next day after this delivery. But unfortunately, the complications just kept piling up, to a point where the required solutions definitely blow the current budget for that goal. I'm currently sitting on over 70 commits that would take at least 5 pushes to deliver as a meaningful release, and all of that is just rearchitecting work, preparing the game for a not too Windows-specific OpenGL backend in the first place. I haven't even written a single line of OpenGL yet… 🥲
This shifts the intended Big Release Month™ to June after all. Now I know that the next round of Shuusou Gyoku features should better start with the SC-88Pro recordings, which are much more likely to get done within their current budget. At least I've already completed the configuration versioning system required for that goal, which leaves only the actual audio part.

So, TH04 position independence. Thanks to a bit of funding for stage dialogue RE, non-ASCII translations will soon become viable, which finally presents a reason to push TH04 to 100% position independence after 📝 TH05 had been there for almost 3 years. I haven't heard back from Touhou Patch Center about how much they want to be involved in funding this goal, if at all, but maybe other backers are interested as well.
And sure, it would be entirely possible to implement non-ASCII translations in a way that retains the layout of the original binaries and can be easily compared at a binary level, in case we consider translations to be a critical piece of infrastructure. This wouldn't even just be an exercise in needless perfectionism, and we only have to look to Shuusou Gyoku to realize why: Players expected that my builds were compatible with existing SpoilerAL SSG files, which was something I hadn't even considered the need for. I mean, the game is open-source 📝 and I made it easy to build. You can just fork the code, implement all the practice features you want in a much more efficient way, and I'd probably even merge your code into my builds then?
But I get it – recompiling the game yields just yet another build that can't be easily compared to the original release. A cheat table is much more trustworthy in giving players the confidence that they're still practicing the same original game. And given the current priorities of my backers, it'll still take a while for me to implement proof by replay validation, which will ultimately free every part of the community from depending on the original builds of both Seihou and PC-98 Touhou.

However, such an implementation within the original binary layout would significantly drive up the budget of non-ASCII translations, and I sure don't want to constantly maintain this layout during development. So, let's chase TH04 position independence like it's 2020, and quickly cover a larger amount of PI-relevant structures and functions at a shallow level. The only parts I decompiled for now contain calculations whose intent can't be clearly communicated in ASM. Hitbox visualizations or other more in-depth research would have to wait until I get to the proper decompilation of these features.
But even this shallow work left us with a large amount of TH04-exclusive code that had its worst parts RE'd and could be decompiled fairly quickly. If you want to see big TH04 finalization% gains, general TH04 progress would be a very good investment.

The first push went to the often-mentioned stage-specific custom entities that share a single statically allocated buffer. Back in 2020, I 📝 wrongly claimed that these were a TH05 innovation, but the system actually originated in TH04. Both games use a 26-byte structure, but TH04 only allocates a 32-element array rather than TH05's 64-element one. The conclusions from back then still apply, but I also kept wondering why these games used a static array for these entities to begin with. You know what they call an area of memory that you can cleanly repurpose for things? That's right, a heap! And absolutely no one would mind one additional heap allocation at the start of a stage, next to the ones for all the sprites and portraits.
However, we are still running in Real Mode with segmented memory. Accessing anything outside a common data segment involves modifying segment registers, which has a nonzero CPU cycle cost, and Turbo C++ 4.0J is terrible at optimizing away the respective instructions. Does this matter? Probably not, but you don't take "risks" like these if you're in a permanent micro-optimization mindset…

In TH04, this system is used for:

1. Kurumi's symmetric bullet spawn rays, fired from her hands towards the left and right edges of the playfield. These are rather infamous for being the last thing you see before 📝 the Divide Error crash that can happen in ZUN's original build. Capped to 6 entities.

2. The 4 📝 bits used in Marisa's Stage 4 boss fight. Coincidentally also related to the rare Divide Error crash in that fight.

3. Stage 4 Reimu's spinning orbs. Note how the game uses two different sets of sprites just to have two different outline colors. This was probably better than messing with the palette, which can easily cause unintended effects if you only have 16 colors to work with. Heck, I have an entire blog post tag just to highlight these cases. Capped to the full 32 entities.

4. The chasing cross bullets, seen in Phase 14 of the same Stage 6 Yuuka fight. Featuring some smart sprite work, making use of point symmetry to achieve a fluid animation in just 4 frames. This is good-code in sprite form. Capped to 31 entities, because the 32^nd custom entity during this fight is defined to be…

5. The single purple pulsating and shrinking safety circle, seen in Phase 4 of the same fight. The most interesting aspect here is actually still related to the cross bullets, whose spawn function is wrongly limited to 32 entities and could theoretically overwrite this circle. This is strictly landmine territory though:

   • Yuuka never uses these bullets and the safety circle simultaneously
   • She never spawns more than 24 cross bullets
   • All cross bullets are fast enough to have left the screen by the time Yuuka restarts the corresponding subpattern
   • The cross bullets spawn at Yuuka's center position, and assign its Q12.4 coordinates to structure fields that the safety circle interprets as raw pixels. The game does try to render the circle afterward, but since Yuuka's static position during this phase is nowhere near a valid pixel coordinate, it is immediately clipped.

6. The flashing lines seen in Phase 5 of the Gengetsu fight, telegraphing the slightly random bullet columns.

   

These structures only took 1 push to reverse-engineer rather than the 2 I needed for their TH05 counterparts because they are much simpler in this game. The "structure" for Gengetsu's lines literally uses just a single X position, with the remaining 24 bytes being basically padding. The only minor bug I found on this shallow level concerns Marisa's bits, which are clipped at the right and bottom edges of the playfield 16 pixels earlier than you would expect:

The remaining push went to a bunch of smaller structures and functions:

• The structure for the up to 2 "thick" (a.k.a. "Master Spark") lasers. Much saner than the 📝 madness of TH05's laser system while being equally customizable in width and duration.
• The structure for the various monochrome 16×16 shapes in the background of the Stage 6 Yuuka fight, drawn on top of the checkerboard.
• The rendering code for the three falling stars in the background of Stage 5. The effect here is entirely palette-related: After blitting the stage tiles, the 📝 1bpp star image is ORed into only the 4^th VRAM plane, which is equivalent to setting the highest bit in the palette color index of every pixel within the star-shaped region. This of course raises the question of how the stage would look like if it was fully illuminated:

  

• Most code that modifies a stage's tile map, and directly specifies tiles via their top-left offset in VRAM.
  Thanks to code alignment reasons, this forced a much longer detour into the .STD format loader. Nothing all too noteworthy there since we're still missing the enemy script and spawn structures before we can call .STD "reverse-engineered", but maybe still helpful if you're looking for an overview of the format. Also features a buffer overflow landmine if a .STD file happens to contain more than 32 enemy scripts… you know, the usual stuff.

To top off the second push, we've got the vertically scrolling checkerboard background during the Stage 6 Yuuka fight, made up of 32×32 squares. This one deserves a special highlight just because of its needless complexity. You'd think that even a performant implementation would be pretty simple:

1. Set the GRCG to TDW mode
2. Set the GRCG tile to one of the two square colors
3. Start with Y as the current scroll offset, and X as some indicator of which color is currently shown at the start of each row of squares
4. Iterate over all lines of the playfield, filling in all pixels that should be displayed in the current color, skipping over the other ones
5. Count down Y for each line drawn
6. If Y reaches 0, reset it to 32 and flip X
7. At the bottom of the playfield, change the GRCG tile to the other color, and repeat with the initial value of X flipped

The most important aspect of this algorithm is how it reduces GRCG state changes to a minimum, avoiding the costly port I/O that we've identified time and time again as one of the main bottlenecks in TH01. With just 2 state variables and 3 loops, the resulting code isn't that complex either. A naive implementation that just drew the squares from top to bottom in a single pass would barely be simpler, but much slower: By changing the GRCG tile on every color, such an implementation would burn a low 5-digit number of CPU cycles per frame for the 12×11.5-square checkerboard used in the game.
And indeed, ZUN retained all important aspects of this algorithm… but still implemented it all in ASM, with a ridiculous layer of x86 segment arithmetic on top? Which blows up the complexity to 4 state variables, 5 nested loops, and a bunch of constants in unusual units. I'm not sure what this code is supposed to optimize for, especially with that rather questionable register allocation that nevertheless leaves one of the general-purpose registers unused. Fortunately, the function was still decompilable without too many code generation hacks, and retains the 5 nested loops in all their goto-connected glory. If you want to add a checkerboard to your next PC-98 demo, just stick to the algorithm I gave above.
(Using a single XOR for flipping the starting X offset between 32 and 64 pixels is pretty nice though, I have to give him that.)

This makes for a good occasion to talk about the third and final GRCG mode, completing the series I started with my previous coverage of the 📝 RMW and 📝 TCR modes. The TDW (Tile Data Write) mode is the simplest of the three and just writes the 8×1 GRCG tile into VRAM as-is, without applying any alpha bitmask. This makes it perfect for clearing rectangular areas of pixels – or even all of VRAM by doing a single memset():

// Set up the GRCG in TDW mode.
outportb(0x7C, 0x80);

// Fill the tile register with color #7 (0111 in binary).
outportb(0x7E, 0xFF); // Plane 0: (B): (********)
outportb(0x7E, 0xFF); // Plane 1: (R): (********)
outportb(0x7E, 0xFF); // Plane 2: (G): (********)
outportb(0x7E, 0x00); // Plane 3: (E): (        )

// Set the 32 pixels at the top-left corner of VRAM to the exact contents of
// the tile register, effectively repeating the tile 4 times. In TDW mode, the
// GRCG ignores the CPU-supplied operand, so we might as well just pass the
// contents of a register with the intended width. This eliminates useless load
// instructions in the compiled assembly, and even sort of signals to readers
// of this code that we do not care about the source value.
*reinterpret_cast<uint32_t far *>(MK_FP(0xA800, 0)) = _EAX;

// Fill the entirety of VRAM with the GRCG tile. A simple C one-liner that will
// probably compile into a single `REP STOS` instruction. Unfortunately, Turbo
// C++ 4.0J only ever generates the 16-bit `REP STOSW` here, even when using
// the `__memset__` intrinsic and when compiling in 386 mode. When targeting
// that CPU and above, you'd ideally want `REP STOSD` for twice the speed.
memset(MK_FP(0xA800, 0), _AL, ((640 / 8) * 400));

However, this might make you wonder why TDW mode is even necessary. If it's functionally equivalent to RMW mode with a CPU-supplied bitmask made up entirely of 1 bits (i.e., 0xFF, 0xFFFF, or 0xFFFFFFFF), what's the point? The difference lies in the hardware implementation: If all you need to do is write tile data to VRAM, you don't need the read and modify parts of RMW mode which require additional processing time. The PC-9801 Programmers' Bible claims a speedup of almost 2× when using TDW mode over equivalent operations in RMW mode.
And that's the only performance claim I found, because none of these old PC-98 hardware and programming books did any benchmarks. Then again, it's not too interesting of a question to benchmark either, as the byte-aligned nature of TDW blitting severely limits its use in a game engine anyway. Sure, maybe it makes sense to temporarily switch from RMW to TDW mode if you've identified a large rectangular and byte-aligned section within a sprite that could be blitted without a bitmask? But the necessary identification work likely nullifies the performance gained from TDW mode, I'd say. In any case, that's pretty deep micro-optimization territory. Just use TDW mode for the few cases it's good at, and stick to RMW mode for the rest.

So is this all that can be said about the GRCG? Not quite, because there are 4 bits I haven't talked about yet…

And now we're just 5.37% away from 100% position independence for TH04! From this point, another 2 pushes should be enough to reach this goal. It might not look like we're that close based on the current estimate, but a big chunk of the remaining numbers are false positives from the player shot control functions. Since we've got a very special deadline to hit, I'm going to cobble these two pushes together from the two current general subscriptions and the rest of the backlog. But you can, of course, still invest in this goal to allow the existing contributions to go to something else.
… Well, if the store was actually open. So I'd better continue with a quick task to free up some capacity sooner rather than later. Next up, therefore: Back to TH02, and its item and player systems. Shouldn't take that long, I'm not expecting any surprises there. (Yeah, I know, famous last words…)

📝 Posted:

2023-03-05 12:56 UTC

🚚 Summary of:

P0229, P0230, P0231, P0232, P0233, P0234

⌨ Commits:

6370f96...d535d87, d535d87...ca523b4, ca523b4...05a49b9, f7ef7f8...abeaf85, abeaf85...dbc5b51, dd2265c...12f29c6

💰 Funded by:

Ember2528, [Anonymous]

🏷 Tags:

th01

+

rec98

-

pc98

-

tcc

+

debloating

+

file-format

+

anniversary-edition

+

master.lib

+

bullet

+

128 commits! Who would have thought that the ideal first release of the TH01 Anniversary Edition would involve so much maintenance, and raise so many research questions? It's almost as if the real work only starts after the 100% finalization mark… Once again, I had to steal some funding from the reserved JIS trail word pushes to cover everything I liked to research, which means that the next towards the anything goal will repay this debt. Luckily, this doesn't affect any immediate plans, as I'll be spending March with tasks that are already fully funded.

So, how did this end up so massive? The list of things I originally set out to do was pretty short:

1. Build entire game into single executable
2. Fix rendering issues in the one or two most important parts of the game for a good initial impression

But even the first point already started with tons of little cleanup commits. A part of them can definitely be blamed on the rush to hit the 100% decompilation mark before the 25^th anniversary last August. However, all the structural changes that I can't commit to master reveal how much of a mess the TH01 codebase actually is.
Merging the executables is mainly difficult because of all the inconsistencies between REIIDEN.EXE and FUUIN.EXE. The worst parts can be found in the REYHI*.DAT format code and the High Score menu, but the little things are just as annoying, like how the current score is an unsigned variable in REIIDEN.EXE, but a signed one in FUUIN.EXE. If it takes me this long and this many commits just to sort out all of these issues, it's no wonder that the only thing I've seen being done with this codebase since TH01's 100% decompilation was a single porting attempt that ended in a rather quick ragequit.
So why are we merging the executables in preparation for the Anniversary Edition, and not waiting with it until we start doing ports?

• Distributing and updating one executable is cleaner than doing the same with three, especially as long as installation will still involve manually dropping the new binary into the game directory.
• The Anniversary Edition won't be the only fork binary. We are already going to start out with a separate DEBLOAT.EXE that contains only the bloat removal changes without any bug fixes, and spaztron64 will probably redo his seizure-less edition. We don't want to clutter the game directory with three binaries for each of these fork builds, and we especially don't want to remember things like oh, but this fork only modifies REIIDEN.EXE…
• All forks should run side-by-side with the original game. During the time I was maintaining thcrap, I've had countless bug reports of people assuming that thcrap was responsible for bugs that were present in the original game, and the same is certain to happen with the Anniversary Edition. Separate binaries will make it easier for everyone to check where these bugs came from.
• Also, I'd like to make a point about how bloated the original three-executable structure really is, since I've heard people defending it as neat software architecture. Really, even in Real Mode where you typically want to use as little of the 640 KiB of conventional memory as possible, you don't want to split your game up like this.

The game actually is so bloated that the combined binary ended up smaller than the original REIIDEN.EXE. If all you see are the file sizes of the original three executables, this might look like a pretty impressive feat. Like, how can we possibly get 407,812 bytes into less than 238,612 bytes, without using compression?
If you've ever looked at the linker map though, it's not at all surprising. Excluding the aforementioned inconsistencies that are hard to quantify, OP.EXE and FUUIN.EXE only feature 5,767 and 6,475 bytes of unique code and data, respectively. All other code in these binaries is already part of REIIDEN.EXE, with more than half of the size coming from the Borland C++ runtime. The single worst offender here is the C++ exception handler that Borland forces onto every non-.COM binary by default, which alone adds 20,512 bytes even if your binary doesn't use C++ exceptions.
On a more hilarious note, this single line is responsible for pulling another unnecessary 14,242 bytes into OP.EXE and FUUIN.EXE. This floating-point multiplication is completely unnecessary in this context because all possible parameters are integers, but it's enough for Turbo C++ and TLINK to pull in the entire x87 FPU emulation machinery. These two binaries don't even draw lines, but since this function is part of the general graphics code translation unit and contains other functions that these binaries do need, TLINK links in the entire thing. Maybe, multiple executables aren't the best choice either if you use a linker that can't do dead code elimination…

Since the 📝 Orb's physics do turn the entire precision of a double variable into gameplay effects, it's not feasible to ever get rid of all FPU code in TH01. The exception handler, however, can be removed, which easily brings the combined binary below the size of the original REIIDEN.EXE. Compiling all code with a single set of compiler optimization flags, including the more x86-friendly pascal calling convention, then gets us a few more KB on top. As does, of course, removing unused code: The only remaining purpose of features such as 📝 resident palettes is to potentially make porting more difficult for anyone who doesn't immediately realize that nothing in the game uses these functions.
Technically, all unused code would be bloat, but for now, I'm keeping the parts that may tell stories about the game's development history (such as unused effects or the 📝 mouse cursor), or that might help with debugging. Even with that in mind, I've only scratched the surface when it comes to bloat removal, and the binary is only going to get smaller from here. A lot smaller.

If only we now could start MDRV98 from this new combined binary, we wouldn't need a second batch file either…

Which brings us to the first big research question of this delivery. Using the C spawn() function works fine on this compiler, so spawn("MDRV98.COM") would be all we need to do, right? Except that the game crashes very soon after that subprocess returned.
So it's not going to be that easy if the spawned process is a TSR. But why should this be a problem? Let's take a look at the DOS heap, and how DOS lays out processes in conventional memory if we launch the game regularly through GAME.BAT:

The batch file starts MDRV98 first, which will therefore end up below the game in conventional memory. This is perfect for a TSR: The program can resize itself arbitrarily before returning to DOS, and the rest of memory will be left over for the game. If we assume such a layout, a DOS program can implement a custom memory allocator in a very simple way, as it only has to search for free memory in one direction – and this is exactly how Borland implemented the C heap for functions like malloc() and free(), and the C++ new and delete operators.
But if we spawn MDRV98 after starting TH01, well…

MDRV98 will spawn in the next free memory location, allocate itself, return to TH01… which suddenly finds its C heap blocked from growing. As a result, the next big allocation will immediately fail with a rather misleading "out of memory" error.

So, what can we do about this? Still in a bloat removal mindset, my gut reaction was to just throw out Borland's C heap implementation, and replace it with a very thin wrapper around the DOS heap as managed by INT 21h, AH=48h/49h/4Ah. Like, why did these DOS compilers even bother with a custom allocator in the first place if DOS already comes with a perfectly fine native one? Using the native allocator would completely erase the distinction between TSR memory and game memory, and inherently allow the game to allocate beyond MDRV98.
I did in fact implement this, and noticed even more benefits:

• While DOS uses 16 bytes rather than Borland's 4 bytes for the control structure of each memory block, this larger size automatically aligns all allocations to 16-byte boundaries. Therefore, all allocation addresses would fit into 16-bit segment-only pointers rather than needing 32-bit far ones. On the Borland heap, the 4-byte header further limits regular far pointers to 65,532 bytes, forcing you into expensive huge pointers for bigger allocations.
• Debuggers in DOS emulators typically have features to show and manage the DOS heap. No need for custom debugging code.
• You can change the memory placement strategy to allocate from the top of conventional memory down to the bottom. This is how the games allocate their resident structures.

Ultimately though, the drawbacks became too significant. Most of them are related to the PC-98 Touhou games only ever creating a single DOS process, even though they contain multiple executables. Switching executables is done via exec(), which resizes a program's main allocation to match the new binary and then overwrites the old program image with the new one. If you've ever wondered why DOSBox-X only ever shows OP as the active process name in the title bar, you now know why. As far as DOS is concerned, it's still the same OP.EXE process rooted at the same segment, and exec() doesn't bother rewriting the name either. Most importantly though, this is how REIIDEN.EXE can launch into another REIIDEN.EXE process even if there are less than 238,612 bytes free when exec() is called, and without consuming more memory for every successive binary.
For now, ANNIV.EXE still re-exec()s itself at every point where the original game did, as ZUN's original code really depends on being reinitialized at boss and scene boundaries. The resulting accidental semi-hot reloading is also a useful property to retain during development.
So why is the DOS heap a bad idea for regular game allocation after all?

• Even DOS automatically releases all memory associated with a process during its termination. But since we keep running the same process until the player quits out of the main menu, we lose the C heap's implicit cleanup on exec(), and have to manually free all memory ourselves.
• Since the binary can be larger after hot reloading, we in fact have to allocate all regular memory using the last fit strategy. Otherwise, exec() fails to resize the program's main block for the same reason that crashed the game on our initial attempt to spawn("MDRV98.COM").
• Just like Borland's heap implementation, the DOS heap stores its control structures immediately before each allocation, forming a singly linked list. But since the entire OS shares this single list, corruptions from heap overflows also affect the whole system, and become much more disastrous. Theoretically, it might be possible to recover from them by forcibly releasing all blocks after the last correct one, or even by doing a brute-force search for valid memory control blocks, but in reality, DOS will likely just throw error code #7 (ERROR_ARENA_TRASHED) on the next memory management syscall, forcing a reboot.
  With a custom allocator, small corruptions remain isolated to the process. They can be even further limited if the process adds some padding between its last internal allocation and the end of the allocated DOS memory block; Borland's heap sort of does this as well by always rounding up the DOS block to a full KiB. All this might not make a difference in today's emulated and single-tasked usage, but would have back then when software was still developed inside IDEs running on the same system.
• TH01's debug mode uses heapcheck() and heapchecknode(), and reimplementing these on top of the DOS heap is not trivial. On the contrary, it would be the most complicated part of such a wrapper, by far.
• Finally, and most importantly for TH01 in particular: The observable effects of the 📝 test/debug mode HP bar heap corruption glitches are a direct result of Borland's C heap implementation.

I could release this DOS heap wrapper in unused form for another push if anyone's interested, but for now, I'm pretty happy with not actually using it in the games. Instead, let's stay with the Borland C heap, and find a way to push MDRV98 to the very top of conventional RAM. Like this:

Which is much easier said than done. It would be nice if we could just use the last fit allocation strategy here, but .COM executables always receive all free memory by default anyway, which eliminates any difference between the strategies.
But we can still change memory itself. So let's temporarily claim all remaining free memory, minus the exact amount we need for MDRV98, for our process. Then, the only remaining free space to spawn MDRV98 is at the exact place where we want it to be:

Now we only need to know how much memory to not temporarily allocate. First, we need to replicate the assumption that MDRV98's -M7 command-line parameter corresponds to a resident size of 23,552 bytes. This is not as bad as it seems, because the -M parameter explicitly has a KiB unit, and we can nicely abstract it away for the API.
The (env.) block though? Its minimum size equals the combined length of all environment variables passed to the process, but its maximum size is… not limited at all?! As in, DOS implementations can add and have historically added more free space because some programs insisted on storing their own new environment variables in this exact segment. DOSBox and DOSBox-X follow this tradition by providing a configuration option for the additional amount of environment space, with the latter adding 1024 additional bytes by default, y'know, just in case someone wants to compile FreeDOS on a slow emulator. It's not even worth sending a bug report for this specific case, because it's only a symptom of the fact that unexpectedly large program environment blocks can and will happen, and are to be expected in DOS land.
So thanks to this cruel joke, it's technically impossible to achieve what we want to do there. Hooray! The only thing we can kind of do here is an educated guess: Sum up the length of all environment variables in our environment block, compare that length against the allocated size of the block, and assume that the MDRV98 process will get as much additional memory as our process got. 🤷

The remaining hurdles came courtesy of some Borland C runtime implementation details. You would think that the temporary reallocation could even be done in pure C using the sbrk(), coreleft(), and brk() functions, but all values passed to or returned from these functions are inaccurate because they don't factor in the aforementioned KiB padding to the underlying DOS memory block. So we have to directly use the DOS syscalls after all. Which at least means that learning about them wasn't completely useless…
The final issue is caused inside Borland's spawn() implementation. The environment block for the child process is built out of all the strings reachable from C's environ pointer, which is what that FreeDOS build process should have used. Coalescing them into a single buffer involves yet another C heap allocation… and since we didn't report our DOS memory block manipulation back to the C heap, the malloc() call might think it needs to request more memory from DOS. This resets the DOS memory block back to its intended level, undoing our manipulation right before the actual INT 21h, AH=4Bh EXEC syscall. Or in short:

Manipulate DOS heap ➜ spawn() call ➜ _LoadProg() ➜ allocate and prepare environment block ➜ _spawn() ➜ DOS EXEC syscall

The obvious solution: Replace _LoadProg(), implement the coalescing ourselves, and do it before the heap manipulation. Fortunately, Borland's internal low-level _spawn() function is not static, so we can call it ourselves whenever we want to:

Allocate and prepare environment block ➜ manipulate DOS heap ➜ _spawn() call ➜ EXEC syscall

So yes, launching MDRV98 from C can be done, but it involves advanced witchcraft and is completely ridiculous. Launching external sound drivers from a batch file is the right way of doing things.
Fortunately, you don't have to rely on this auto-launching feature. You can still launch DEBLOAT.EXE or ANNIV.EXE from a batch file that launched MDRV98.COM before, and the binaries will detect this case and skip the attempt of launching MDRV98 from C. It's unlikely that my heuristic will ever break, but I definitely recommend replicating GAME.BAT just to be completely sure – especially for user-friendly repacks that don't want to include the original game anyway.
This is also why ANNIV.EXE doesn't launch ZUNSOFT.COM: The "correct" and stable way to launch ANNIV.EXE still involves a batch file, and I would say that expecting people to remove ZUNSOFT.COM from that file is worse than not playing the animation. It's certainly a debate we can have, though.

This deep dive into memory allocation revealed another previously undocumented bug in the original game. The RLE decompression code for the 東方靈異.伝 packfile contains two heap overflows, which are actually triggered by SinGyoku's BOSS1_3.BOS and Konngara's BOSS8_1.BOS. They only do not immediately crash the game when loading these bosses thanks to two implementation details of Borland's C heap.
Obviously, this is a bug we should fix, but according to the definition of bugs, that fix would be exclusive to the anniversary branch. Isn't that too restrictive for something this critical? This code is guaranteed to blow up with a different heap implementation, if only in a Debug build. And besides, nobody would notice a fix just by looking at the game's rendered output…

Looks like we have to introduce a fourth category of weird code, in addition to the previous bloat, bug, and quirk categories, for invisible internal issues like these. Let's call it landmine, and fix them on the debloated branch as well. Thanks to Clerish for the naming inspiration!
With this new category, the full definitions for all categories have become quite extensive. Thus, they now live in CONTRIBUTING.md inside the ReC98 repository.

With the new discoveries and the new landmine category, TH01 is now at 67 bugs and 20 landmines. And the solution for the landmine in question? Simplifying the 61 lines of the original code down to 16. And yes, I'm including comments in these numbers – if the interactions of the code are complex enough to require multi-paragraph comments, these are a necessary and valid part of the code.

While we're on the topic of weird code and its visible or invisible effects, there's one thing you might be concerned about. With all the rearchitecting and data shifting we're doing on the debloated branch, what will happen to the 📝 negative glitch stages? These are the result of a clearly observable bug that, by definition, must not be fixed on the debloated branch. But given that the observable layout of the glitch stages is defined by the memory surrounding the scene stage variable, won't the debloated branch inherently alter their appearance (= ⚠️ fanfiction ⚠️), or even remove them completely?

Well, yes, it will. But we can still preserve their layout by hardcoding the exact original data that the game would originally read, and even emulate the original segment relocations and other pieces of global data.
Doing this is feasible thanks to the fact that there are only 4 glitch stages. Unfortunately, the same can't be said for the timer values, which are determined by an array lookup with the un-modulo'd stage ID. If we wanted to preserve those as well, we'd have to bundle an exact copy of the original REIIDEN.EXE data segment to preserve the values of all 32,768 negative stages you could possibly enter, together with a map of all relocations in this segment. 😵 Which I've decided against for now, since this has been going on for far too long already. Let's first see if anyone ever actually complains about details like this…

Alright, time to start the anniversary branch by rendering everything at its correct internal unaligned X position? Eh… maybe not quite yet. If we just hacked all the necessary bit-shifting code into all the format-specific blitting functions, we'd still retain all this largely redundant, bad, and slow code, and would make no progress in terms of portability. It'd be much better to first write a single generic blitter that's decently optimized, but supports all kinds of sprites to make this optimization actually worth something.
So, next research question: How would such a blitter look like? After I learned during my 📝 first foray into cycle counting that port I/O is slow on 486 CPUs, it became clear that TH04's 📝 GRCG batching for pellets was one of the more useful optimizations that probably contributed a big deal towards achieving the high bullet counts of that game. This leads to two conclusions:

• master.lib's super_*() sprite functions are slow, and not worth looking at for inspiration. Even the 📝 tiny format reinitializes the GRCG on every color change, wasting 80 cycles.
• Hence, our low-level blitting API should not even care about colors. It should only concern itself with blitting a given 1bpp sprite to a single VRAM segment. This way, it can work for both 4-plane sprites and single-plane sprites, and just assume that the GRCG is active.

Maybe we should also start by not even doing these unaligned bit shifts ourselves, and instead expect the call site to 📝 always deliver a byte-aligned sprite that is correctly preshifted, if necessary? Some day, we definitely should measure how slow runtime shifting would really be…

What we should do, however, are some further general optimizations that I would have expected from master.lib: Unrolling the vertical loop, and baking a single function for every sprite width to eliminate the horizontal loop. We can then use the widest possible x86 MOV instruction for the lowest possible number of cycles per row – for example, we'd blit a 56-wide sprite with three MOVs (32-bit + 16-bit + 8-bit), and a 64-wide one with two 32-bit MOVs.
Or maybe not? There's a lot of blitting code in both master.lib and PC-98 Touhou that checks for empty bytes within sprites to skip needlessly writing them to VRAM:

uint8_t left_half = ((uint8_t *)(sprite))[0];
uint8_t right_half = ((uint8_t *)(sprite))[1];
if(right_half != 0x00) {
	pokeb(VRAM_SEGMENT, (vram_offset + 0), left_half);
}
if(right_half != 0x00) {
	pokeb(VRAM_SEGMENT, (vram_offset + 1), right_half);
}

Which goes against everything you seem to know about computers. We aren't running on an 8-bit CPU here, so wouldn't it be faster to always write both halves of a sprite in a single operation?

uint16_t both_halves = ((uint16_t *)(sprite))[0];
pokew(VRAM_SEGMENT, vram_offset, both_halves);

That's a single CPU instruction, compared to two instructions and two branches. The only possible explanation for this would be that VRAM writes are so slow on PC-98 that you'd want to avoid them at all costs, even if that means additional branching on the CPU to do so. Or maybe that was something you would want to do on certain models with slow VRAM, but not on others?

So I wrote a benchmark to answer all these questions, and to compare my new blitter against typical TH01 blitting code:

2023-03-05-blitperf.zip And here are the real-hardware results I've got from the PC-9800 Central Discord server:

The key takeaways:

• Checking for empty bytes has never been a good idea.
• Preshifting sprites made a slight difference on the 286. Starting with the 386 though, that difference got smaller and smaller, until it completely vanished on Pentium models. The memory tradeoff is especially not worth it for 4-plane sprites, given that you would have to preshift each of the 4 planes and possibly even a fifth alpha plane. Ironically, ZUN only ever preshifted monochrome single-bitplane sprites with a width of 8 pixels. That's the smallest possible amount of memory a sprite can possibly take, and where preshifting consequently has the smallest effect on performance. Shifting 8-wide sprites on the fly literally takes a single ROL or ROR instruction per row.
• You might want to use MOVS instead of MOV when targeting the 286 and 386, but the performance gains are barely worth the resulting mess you would make out of your blitting code. On Pentium models, there is no difference.
• Use the GRCG whenever you have to render lots of things that share a static 8×1 pattern.
• These are the PC-98 models that the people who are willing to test your newly written PC-98 code actually use.

Since this won't be the only piece of game-independent and explicitly PC-98-specific custom code involved in this delivery, it makes sense to start a dedicated PC-98 platform layer. This code will gradually eliminate the dependency on master.lib and replace it with better optimized and more readable C++ code. The blitting benchmark, for example, is already implemented completely without master.lib.
While this platform layer is mainly written to generate optimal code within Turbo C++ 4.0J, it can also serve as general PC-98 documentation for everyone who prefers code over machine-translating old Japanese books. Not to mention the immediacy of having all actual relevant information in one place, which might otherwise be pretty well hidden in these books, or some obscure old text file. For example, did you know that uploading gaiji via INT 18h might end up disabling the VSync interrupt trigger, deadlocking the process on the next frame delay loop? This nuisance is not replicated by any emulators, and it's quite frustrating to encounter it when trying to run your code on real hardware. master.lib works around it by simply hooking INT 18h and unconditionally reenabling the VSync interrupt trigger after the original handler returns, and so does our platform layer.

So, with the pellet draw calls batched and routed through the new renderer, we should have gained enough free CPU cycles to disable 📝 interlaced pellet rendering without any impact on frame rates?

Well, kinda. We do get 56.4 FPS, but only together with noticeable and reproducible tearing in the top part of the playfield, suggesting exactly why ZUN interlaced the rendering in the first place. 😕 So have we already reached the limit of single-buffered PC-98 games here, or can we still do something about it?
As it turns out, the main bottleneck actually lies in the pellet unblitting code. Every EGC-"accelerated" unblitting call in TH01 is as unbatched as the pellet blitting calls were, spending an additional 17 I/O port writes per call to completely set up and shut down the EGC, every time. And since this is TH01, the two-instruction operation of changing the active PC-98 VRAM page isn't inlined either, but instead done via a function call to a faraway segment. On the 486, that's:

• >341 cycles for EGC setup and teardown, plus
• >72 cycles for each 16-pixel chunk to be unblitted.

This sums up to

• >917 cycles of completely unnecessary work for every active pellet, in the optimal 50% of cases where it lies on an even VRAM byte, or
• >1493 cycles if it lies on an odd VRAM byte, because ZUN's code extends the unblitted rectangle to a gargantuan 32×8 pixels in this case

And this calculation even ignores the lack of small micro-optimizations that could further optimize the blitting loop. Multiply that by the game's pellet cap of 100, and we get a 6-digit number of wasted CPU cycles. On paper, that's roughly ¹/₆ of the time we have for each of our target 56.423 FPS on the game's target 33 MHz systems. Might not sound all too critical, but the single-buffered nature of the game means that we're effectively racing the beam on every frame. In turn, we have to be even more serious about performance.

So, time to also add a batched EGC API to our PC-98 platform layer? Writing our own EGC code presents a nice opportunity to finally look deeper into all its registers and configuration options, and see what exactly we can do about ZUN's enforced 16-pixel alignment.
To nobody's surprise, this alignment is completely unnecessary, and only displays a lack of knowledge about the chip. While it is true that the EGC wants VRAM to be exclusively addressed in 16-bit chunks at 16-bit-aligned addresses, it specifically provides

• an address register (0x4AC) for shifting the horizontal start offsets of the source and destination to any pixel within the 16 pixels of such a chunk, and
• a bit length register (0x4AE) for specifying the total width of pixels to be transferred, which also implies the correct end offsets.

And it gets even better: After ⌈bitlength ÷ 16⌉ write instructions, the EGC's internal shifter state automatically reinitializes itself in preparation for blitting another row of pixels with the same initially configured bit addresses and length. This is perfect for blitting rectangles, as two I/O port writes before the start of your blitting loop are enough to define your entire rectangle.

The manual nature of reading and writing in 16-pixel chunks does come with a slight pitfall though. If the source bit address is larger than the destination bit address, the first 16-bit read won't fill the EGC's internal shift register with all pixels that should appear in the first 16-pixel destination chunk. In this case, the EGC simply won't write anything and leave the first chunk unchanged. In a 📝 regular blitting loop, however, you expect that memory to be written and immediately move on to the next chunks within the row. As a result, the actual blitting process for such a rectangle will no longer be aligned to the configured address and bit length. The first row of the rectangle will appear 16 pixels to the right of the destination address, and the second one will start at bit offset 0 with pixels from the rightmost byte of the first line, which weren't blitted and remained in the tile register.
There is an easy solution though: Before the horizontal loop on each line of the rectangle, simply read one additional 16-pixel chunk from the source location to prefill the shift register. Thankfully, it's large enough to also fit the second read of the then full 16 pixels, without dropping any pixels along the way.

And that's how we get arbitrarily unaligned rectangle copies with the EGC! Except for a small register allocation trick to use two-register addressing, there's not much use in further optimizations, as the runtime of these inter-page blit operations is dominated by the VRAM page switches anyway.

Except that T98-Next seems to disagree about the register prefilling issue:

Every other emulator agrees with real hardware in this regard, so we can safely assume this to be a bug in T98-Next. Just in case this old emulator with its last release from June 2010 still has any fans left nowadays… For now though, even they can still enjoy the TH01 Anniversary Edition: The only EGC copy algorithm that TH01 actually needs is the left one during the single-buffered tests, which even that emulator gets right.
That only leaves 📝 my old offer of documenting the EGC raster ops, and we've got the EGC figured out completely!

And that did in fact remove tearing from the pellet rendering function! For the first time, we can now fight Elis, Kikuri, Sariel, and Konngara with a doubled pellet frame rate:

With only pellets and no other animation on screen, this exact pattern presents the optimal demonstration case for the new unblitter. But as you can already tell from the invincibility sprites, we'd also need to route every other kind of sprite through the same new code. This isn't all too trivial: Most sprites are still rendered at byte-aligned positions, and their blitting APIs hide that fact by taking a pixel position regardless. This is why we can't just replace ZUN's original 16-pixel-aligned EGC unblitting function with ours, and always have to replace both the blitter and the unblitter on a per-sprite basis.
To completely remove all flickering, we'd also like to get rid of all the sprite-specific unblit ➜ update ➜ render sequences, and instead gather all unblitting code to the beginning of the game loop, before any update and rendering calls. So yeah, it will take a long time to completely get rid of all flickering. Until we're there, I recommend any backer to tell me their favorite boss, so that I can focus on getting that one rendered without any flickering. Remember that here at ReC98, we can have a Touhou character popularity contest at any time during the year, whenever the store is open!

In the meantime, the consistent use of 8×8 rectangles during pellet unblitting does significantly reduce flickering across the entire game, and shrinks certain holes that pellets tend to rip into lazily reblitted sprites:

To round out the first release, I added all the other bug fixes to achieve parity with my previously released patched REIIDEN.EXE builds:

• I removed the 📝 shootout laser crash by simply leaving the lasers on screen if a boss is defeated,
• prevented the HP bar heap corruption bug in test or debug mode by not letting it display negative HP in the first place, and
• restored 📝 the two animations during the Sariel fight that were lost to type confusion errors in the original game.

So here it is, the first build of TH01's Anniversary Edition: 2023-03-05-th01-anniv.zip Edit (2023-03-12): If you're playing on Neko Project and seeing more flickering than in the original game, make sure you've checked the Screen → Disp vsync option.

Next up: The long overdue extended trip through the depths of TH02's low-level code. From what I've seen of it so far, the work on this project is finally going to become a bit more relaxing. Which is quite welcome after, what, 6 months of stressful research-heavy work?

📝 Posted:

2022-11-30 22:20 UTC

🚚 Summary of:

P0223, P0224, P0225

⌨ Commits:

139746c...371292d, 371292d...8118e61, 8118e61...4f85326

💰 Funded by:

rosenrose, Blue Bolt, Splashman, -Tom-, Yanga, Enderwolf, 32th System

🏷 Tags:

th02

+

th03

+

th04

+

th05

+

rec98

-

cutscene

+

blitting

+

micro-optimization

+

glitch

+

master.lib

+

pc98

-

performance

+

kaja

+

unused

+

meta

+

midboss

+

animation

+

More than three months without any reverse-engineering progress! It's been way too long. Coincidentally, we're at least back with a surprising 1.25% of overall RE, achieved within just 3 pushes. The ending script system is not only more or less the same in TH04 and TH05, but actually originated in TH03, where it's also used for the cutscenes before stages 8 and 9. This means that it was one of the final pieces of code shared between three of the four remaining games, which I got to decompile at roughly 3× the usual speed, or ⅓ of the price.
The only other bargains of this nature remain in OP.EXE. The Music Room is largely equivalent in all three remaining games as well, and the sound device selection, ZUN Soft logo screens, and main/option menus are the same in TH04 and TH05. A lot of that code is in the "technically RE'd but not yet decompiled" ASM form though, so it would shift Finalized% more significantly than RE%. Therefore, make sure to order the new Finalization option rather than Reverse-engineering if you want to make number go up.

1. General overview
2. Game-specific differences
3. Command reference
4. Thoughts about translation support

So, cutscenes. On the surface, the .TXT files look simple enough: You directly write the text that should appear on the screen into the file without any special markup, and add commands to define visuals, music, and other effects at any place within the script. Let's start with the basics of how text is rendered, which are the same in all three games:

• First off, the text area has a size of 480×64 pixels. This means that it does not correspond to the tiled area painted into TH05's EDBK?.PI images:

  

• Since the font weight can be customized, all text is rendered to VRAM. This also includes gaiji, despite them ignoring the font weight setting.
• The system supports automatic line breaks on a per-glyph basis, which move the text cursor to the beginning of the red text area. This might seem like a piece of long-forgotten ancient wisdom at first, considering the absence of automatic line breaks in Windows Touhou. However, ZUN probably implemented it more out of pure necessity: Text in VRAM needs to be unblitted when starting a new box, which is way more straightforward and performant if you only need to worry about a fixed area.
• The system also automatically starts a new (key press-separated) text box after the end of the 4^th line. However, the text cursor is also unconditionally moved to the top-left corner of the yellow name area when this happens, which is almost certainly not what you expect, given that automatic line breaks stay within the red area. A script author might as well add the necessary text box change commands manually, if you're forced to anticipate the automatic ones anyway…
  Due to ZUN forgetting an unblitting call during the TH05 refactoring of the box background buffer, this feature is even completely broken in that game, as any new text will simply be blitted on top of the old one:

  

• Overall, the system is geared toward exclusively full-width text. As exemplified by the 2014 static English patches and the screenshots in this blog post, half-width text is possible, but comes with a lot of asterisks attached:
  • Each loop of the script interpreter starts by looking at the next byte to distinguish commands from text. However, this step also skips over every ASCII space and control character, i.e., every byte ≤ 32. If you only intend to display full-width glyphs anyway, this sort of makes sense: You gain complete freedom when it comes to the physical layout of these script files, and it especially allows commands to be freely separated with spaces and line breaks for improved readability. Still, enforcing commands to be separated exclusively by line breaks might have been even better for readability, and would have freed up ASCII spaces for regular text…
  • Non-command text is blindly processed and rendered two bytes at a time. The rendering function interprets these bytes as a Shift-JIS string, so you can use half-width characters here. While the second byte can even be an ASCII 0x20 space due to the parser's blindness, all half-width characters must still occur in pairs that can't be interrupted by commands:

    

  • As a workaround for at least the ASCII space issue, you can replace them with any of the unassigned Shift-JIS lead bytes – 0x80, 0xA0, or anything between 0xF0 and 0xFF inclusive. That's what you see in all screenshots of this post that display half-width spaces.
• Finally, did you know that you can hold ESC to fast-forward through these cutscenes, which skips most frame delays and reduces the rest? Due to the blocking nature of all commands, the ESC key state is only updated between commands or 2-byte text groups though, so it can't interrupt an ongoing delay.

Superficially, the list of game-specific differences doesn't look too long, and can be summarized in a rather short table:

	TH03	TH04	TH05
Script size limit	65536 bytes (heap-allocated)	8192 bytes (statically allocated)
Delay between every 2 bytes of text	1 frame by default, customizable via \v	None
Text delay when holding ESC	Varying speed-up factor	None
Visibility of new text	Immediately typed onto the screen	Rendered onto invisible VRAM page, faded in on wait commands
Visibility of old text	Unblitted when starting a new box		Left on screen until crossfaded out with new text
Key binding for advancing the script	Any key		⏎ Return, Shot, or ESC
Animation while waiting for an advance key	None		, past right edge of current row
Inexplicable delays	None		1 frame before changing pictures and after rendering new text boxes
Additional delay per interpreter loop	614.4 µs	None	614.4 µs

It's when you get into the implementation that the combined three systems reveal themselves as a giant mess, with more like 56 differences between the games. Every single new weird line of code opened up another can of worms, which ultimately made all of this end up with 24 pieces of bloat and 14 bugs. The worst of these should be quite interesting for the general PC-98 homebrew developers among my audience:

• The final official 0.23 release of master.lib has a bug in graph_gaiji_put*(). To calculate the JIS X 0208 code point for a gaiji, it is enough to ADD 5680h onto the gaiji ID. However, these functions accidentally use ADC instead, which incorrectly adds the x86 carry flag on top, causing weird off-by-one errors based on the previous program state. ZUN did fix this bug directly inside master.lib for TH04 and TH05, but still needed to work around it in TH03 by subtracting 1 from the intended gaiji ID. Anyone up for maintaining a bug-fixed master.lib repository?

• The worst piece of bloat comes from TH03 and TH04 needlessly switching the visibility of VRAM pages while blitting a new 320×200 picture. This makes it much harder to understand the code, as the mere existence of these page switches is enough to suggest a more complex interplay between the two VRAM pages which doesn't actually exist. Outside this visibility switch, page 0 is always supposed to be shown, and page 1 is always used for temporarily storing pixels that are later crossfaded onto page 0. This is also the only reason why TH03 has to render text and gaiji onto both VRAM pages to begin with… and because TH04 doesn't, changing the picture in the middle of a string of text is technically bugged in that game, even though you only get to temporarily see the new text on very underclocked PC-98 systems.

  These performance implications made me wonder why cutscenes even bother with writing to the second VRAM page anyway, before copying each crossfade step to the visible one. 📝 We learned in June how costly EGC-"accelerated" inter-page copies are; shouldn't it be faster to just blit the image once rather than twice?
  Well, master.lib decodes .PI images into a packed-pixel format, and unpacking such a representation into bitplanes on the fly is just about the worst way of blitting you could possibly imagine on a PC-98. EGC inter-page copies are already fairly disappointing at 42 cycles for every 16 pixels, if we look at the i486 and ignore VRAM latencies. But under the same conditions, packed-pixel unpacking comes in at 81 cycles for every 8 pixels, or almost 4× slower. On lower-end systems, that can easily sum up to more than one frame for a 320×200 image. While I'd argue that the resulting tearing could have been an acceptable part of the transition between two images, it's understandable why you'd want to avoid it in favor of the pure effect on a slower framerate.
  Really makes me wonder why master.lib didn't just directly decode .PI images into bitplanes. The performance impact on load times should have been negligible? It's such a good format for the often dithered 16-color artwork you typically see on PC-98, and deserves better than master.lib's implementation which is both slow to decode and slow to blit.

That brings us to the individual script commands… and yes, I'm going to document every single one of them. Some of their interactions and edge cases are not clear at all from just looking at the code.

Almost all commands are preceded by… well, a 0x5C lead byte. Which raises the question of whether we should document it as an ASCII-encoded \ backslash, or a Shift-JIS-encoded ¥ yen sign. From a gaijin perspective, it seems obvious that it's a backslash, as it's consistently displayed as one in most of the editors you would actually use nowadays. But interestingly, iconv -f shift-jis -t utf-8 does convert any 0x5C lead bytes to actual ¥ U+00A5 YEN SIGN code points .
Ultimately, the distinction comes down to the font. There are fonts that still render 0x5C as ¥, but mainly do so out of an obvious concern about backward compatibility to JIS X 0201, where this mapping originated. Unsurprisingly, this group includes MS Gothic/Mincho, the old Japanese fonts from Windows 3.1, but even Meiryo and Yu Gothic/Mincho, Microsoft's modern Japanese fonts. Meanwhile, pretty much every other modern font, and freely licensed ones in particular, render this code point as \, even if you set your editor to Shift-JIS. And while ZUN most definitely saw it as a ¥, documenting this code point as \ is less ambiguous in the long run. It can only possibly correspond to one specific code point in either Shift-JIS or UTF-8, and will remain correct even if we later mod the cutscene system to support full-blown Unicode.

Now we've only got to clarify the parameter syntax, and then we can look at the big table of commands:

• Numeric parameters are read as sequences of up to 3 ASCII digits. This limits them to a range from 0 to 999 inclusive, with 000 and 0 being equivalent. Because there's no further sentinel character, any further digit from the 4^th one onwards is interpreted as regular text.
• Filename parameters must be terminated with a space or newline and are limited to 12 characters, which translates to 8.3 basenames without any directory component. Any further characters are ignored and displayed as text as well.
• Each .PI image can contain up to four 320×200 pictures ("quarters") for the cutscene picture area. In the script commands, they are numbered like this:

  0	1
  2	3

			\@	Clears both VRAM pages by filling them with VRAM color 0. 🐞 In TH03 and TH04, this command does not update the internal text area background used for unblitting. This bug effectively restricts usage of this command to either the beginning of a script (before the first background image is shown) or its end (after no more new text boxes are started). See the image below for an example of using it anywhere else.
			\b2	Sets the font weight to a value between 0 (raw font ROM glyphs) to 3 (very thicc). Specifying any other value has no effect.
				🐞 In TH04 and TH05, \b3 leads to glitched pixels when rendering half-width glyphs due to a bug in the newly micro-optimized ASM version of 📝 graph_putsa_fx(); see the image below for an example. In these games, the parameter also directly corresponds to the graph_putsa_fx() effect function, removing the sanity check that was present in TH03. In exchange, you can also access the four dissolve masks for the bold font (\b2) by specifying a parameter between 4 (fewest pixels) to 7 (most pixels). Demo video below.
			\c15	Changes the text color to VRAM color 15.
			\c=字,15	Adds a color map entry: If 字 is the first code point inside the name area on a new line, the text color is automatically set to 15. Up to 8 such entries can be registered before overflowing the statically allocated buffer. 🐞 The comma is assumed to be present even if the color parameter is omitted.
			\e0	Plays the sound effect with the given ID.
			\f	(no-op)
			\fi1 \fo1	Calls master.lib's palette_black_in() or palette_black_out() to play a hardware palette fade animation from or to black, spending roughly 1 frame on each of the 16 fade steps.
			\fm1	Fades out BGM volume via PMD's AH=02h interrupt call, in a non-blocking way. The fade speed can range from 1 (slowest) to 127 (fastest). Values from 128 to 255 technically correspond to AH=02h's fade-in feature, which can't be used from cutscene scripts because it requires BGM volume to first be lowered via AH=19h, and there is no command to do that.
			\g8	Plays a blocking 8-frame screen shake animation.
			\ga0	Shows the gaiji with the given ID from 0 to 255 at the current cursor position. Even in TH03, gaiji always ignore the text delay interval configured with \v.
			@3	TH05's replacement for the \ga command from TH03 and TH04. The default ID of 3 corresponds to the gaiji. Not to be confused with \@, which starts with a backslash, unlike this command.
			@h	Shows the gaiji.
			@t	Shows the gaiji.
			@!	Shows the gaiji.
			@?	Shows the gaiji.
			@!!	Shows the gaiji.
			@!?	Shows the gaiji.
			\k0	Waits 0 frames (0 = forever) for an advance key to be pressed before continuing script execution. Before waiting, TH05 crossfades in any new text that was previously rendered to the invisible VRAM page… 🐞 …but TH04 doesn't, leaving the text invisible during the wait time. As a workaround, \vp1 can be used before \k to immediately display that text without a fade-in animation.
			\m$	Stops the currently playing BGM.
			\m*	Restarts playback of the currently loaded BGM from the beginning.
			\m,filename	Stops the currently playing BGM, loads a new one from the given file, and starts playback.
			\n	Starts a new line at the leftmost X coordinate of the box, i.e., the start of the name area. This is how scripts can "change" the name of the currently speaking character, or use the entire 480×64 pixels without being restricted to the non-name area. Note that automatic line breaks already move the cursor into a new line. Using this command at the "end" of a line with the maximum number of 30 full-width glyphs would therefore start a second new line and leave the previously started line empty. If this command moved the cursor into the 5th line of a box, \s is executed afterward, with any of \n's parameters passed to \s.
			\p	(no-op)
			\p-	Deallocates the loaded .PI image.
			\p,filename	Loads the .PI image with the given file into the single .PI slot available to cutscenes. TH04 and TH05 automatically deallocate any previous image, 🐞 TH03 would leak memory without a manual prior call to \p-.
			\pp	Sets the hardware palette to the one of the loaded .PI image.
			\p@	Sets the loaded .PI image as the full-screen 640×400 background image and overwrites both VRAM pages with its pixels, retaining the current hardware palette.
			\p=	Runs \pp followed by \p@.
			\s0 \s-	Ends a text box and starts a new one. Fades in any text rendered to the invisible VRAM page, then waits 0 frames (0 = forever) for an advance key to be pressed. Afterward, the new text box is started with the cursor moved to the top-left corner of the name area. \s- skips the wait time and starts the new box immediately.
			\t100	Sets palette brightness via master.lib's palette_settone() to any value from 0 (fully black) to 200 (fully white). 100 corresponds to the palette's original colors. Preceded by a 1-frame delay unless ESC is held.
			\v1	Sets the number of frames to wait between every 2 bytes of rendered text.
				Sets the number of frames to spend on each of the 4 fade steps when crossfading between old and new text. The game-specific default value is also used before the first use of this command.
			\v2
			\vp0	Shows VRAM page 0. Completely useless in TH03 (this game always synchronizes both VRAM pages at a command boundary), only of dubious use in TH04 (for working around a bug in \k), and the games always return to their intended shown page before every blitting operation anyway. A debloated mod of this game would just remove this command, as it exposes an implementation detail that script authors should not need to worry about. None of the original scripts use it anyway.
			\w64	\w and \wk wait for the given number of frames \wm and \wmk wait until PMD has played back the current BGM for the total number of measures, including loops, given in the first parameter, and fall back on calling \w and \wk with the second parameter as the frame number if BGM is disabled. 🐞 Neither PMD nor MMD reset the internal measure when stopping playback. If no BGM is playing and the previous BGM hasn't been played back for at least the given number of measures, this command will deadlock. Since both TH04 and TH05 fade in any new text from the invisible VRAM page, these commands can be used to simulate TH03's typing effect in those games. Demo video below. Contrary to \k and \s, specifying 0 frames would simply remove any frame delay instead of waiting forever. The TH03-exclusive k variants allow the delay to be interrupted if ⏎ Return or Shot are held down. TH04 and TH05 recognize the k as well, but removed its functionality. All of these commands have no effect if ESC is held.
			\wm64,64
			\wk64
			\wmk64,64
			\wi1 \wo1	Calls master.lib's palette_white_in() or palette_white_out() to play a hardware palette fade animation from or to white, spending roughly 1 frame on each of the 16 fade steps.
			\=4	Immediately displays the given quarter of the loaded .PI image in the picture area, with no fade effect. Any value ≥ 4 resets the picture area to black.
			\==4,1	Crossfades the picture area between its current content and quarter #4 of the loaded .PI image, spending 1 frame on each of the 4 fade steps unless ESC is held. Any value ≥ 4 is replaced with quarter #0.
			\$	Stops script execution. Must be called at the end of each file; otherwise, execution continues into whatever lies after the script buffer in memory. TH05 automatically deallocates the loaded .PI image, TH03 and TH04 require a separate manual call to \p- to not leak its memory.

So yeah, that's the cutscene system. I'm dreading the moment I will have to deal with the other command interpreter in these games, i.e., the stage enemy system. Luckily, that one is completely disconnected from any other system, so I won't have to deal with it until we're close to finishing MAIN.EXE… that is, unless someone requests it before. And it won't involve text encodings or unblitting…

The cutscene system got me thinking in greater detail about how I would implement translations, being one of the main dependencies behind them. This goal has been on the order form for a while and could soon be implemented for these cutscenes, with 100% PI being right around the corner for the TH03 and TH04 cutscene executables.
Once we're there, the "Virgin" old-school way of static translation patching for Latin-script languages could be implemented fairly quickly:

1. Establish basic UTF-8 parsing for less painful manual editing of the source files
2. Procedurally generate glyphs for the few required additional letters based on existing font ROM glyphs. For example, we'd generate ä by painting two short lines on top of the font ROM's a glyph, or generate ¿ by vertically flipping the question mark. This way, the text retains a consistent look regardless of whether the translated game is run with an NEC or EPSON font ROM, or the that Neko Project II auto-generates if you don't provide either.
3. (Optional) Change automatic line breaks to work on a per-word basis, rather than per-glyph

That's it – script editing and distribution would be handled by your local translation group. It might seem as if this would also work for Greek and Cyrillic scripts due to their presence in the PC-98 font ROM, but I'm not sure if I want to attempt procedurally shrinking these glyphs from 16×16 to 8×16… For any more thorough solution, we'd need to go for a more "Chad" kind of full-blown translation support:

1. Implement text subdivisions at a sensible granularity while retaining automatic line and box breaks
2. Compile translatable text into a Japanese→target language dictionary (I'm too old to develop any further translation systems that would overwrite modded source text with translations of the original text)
3. Implement a custom Unicode font system (glyphs would be taken from GNU Unifont unless translators provide a different 8×16 font for their language)
4. Combine the text compiler with the font compiler to only store needed glyphs as part of the translation's font file (dealing with a multi-MB font file would be rather ugly in a Real Mode game)
5. Write a simple install/update/patch stacking tool that supports both .HDI and raw-file DOSBox-X scenarios (it's different enough from thcrap to warrant a separate tool – each patch stack would be statically compiled into a single package file in the game's directory)
6. Add a nice language selection option to the main menu
7. (Optional) Support proportional fonts

Which sounds more like a separate project to be commissioned from Touhou Patch Center's Open Collective funds, separate from the ReC98 cap. This way, we can make sure that the feature is completely implemented, and I can talk with every interested translator to make sure that their language works.
It's still cheaper overall to do this on PC-98 than to first port the games to a modern system and then translate them. On the other hand, most of the tasks in the Chad variant (3, 4, 5, and half of 2) purely deal with the difficulty of getting arbitrary Unicode characters to work natively in a PC-98 DOS game at all, and would be either unnecessary or trivial if we had already ported the game. Depending on where the patrons' interests lie, it may not be worth it. So let's see what all of you think about which way we should go, or whether it's worth doing at all. (Edit (2022-12-01): With Splashman's order towards the stage dialogue system, we've pretty much confirmed that it is.) Maybe we want to meet in the middle – using e.g. procedural glyph generation for dynamic translations to keep text rendering consistent with the rest of the PC-98 system, and just not support non-Latin-script languages in the beginning? In any case, I've added both options to the order form.
Edit (2023-07-28): Touhou Patch Center has agreed to fund a basic feature set somewhere between the Virgin and Chad level. Check the 📝 dedicated announcement blog post for more details and ideas, and to find out how you can support this goal!

Surprisingly, there was still a bit of RE work left in the third push after all of this, which I filled with some small rendering boilerplate. Since I also wanted to include TH02's playfield overlay functions, ¹/₁₅ of that last push went towards getting a TH02-exclusive function out of the way, which also ended up including that game in this delivery.
The other small function pointed out how TH05's Stage 5 midboss pops into the playfield quite suddenly, since its clipping test thinks it's only 32 pixels tall rather than 64:

Next up: Staying with TH05 and looking at more of the pattern code of its boss fights. Given the remaining TH05 budget, it makes the most sense to continue in in-game order, with Sara and the Stage 2 midboss. If more money comes in towards this goal, I could alternatively go for the Mai & Yuki fight and immediately develop a pretty fix for the cheeto storage glitch. Also, there's a rather intricate pull request for direct ZMBV decoding on the website that I've still got to review…

📝 Posted:

2022-08-11 21:27 UTC

🚚 Summary of:

P0212, P0213

⌨ Commits:

d398a94...363fd54, 363fd54...158a91e

💰 Funded by:

LeyDud, Lmocinemod, GhostRiderCog, Ember2528

🏷 Tags:

th01

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rec98

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score

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pc98

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performance

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unused

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cutscene

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debug

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Wow, it's been 3 days and I'm already back with an unexpectedly long post about TH01's bonus point screens? 3 days used to take much longer in my previous projects…

Before I talk about graphics for the rest of this post, let's start with the exact calculations for both bonuses. Touhou Wiki already got these right, but it still makes sense to provide them here, in a format that allows you to cross-reference them with the source code more easily. For the card-flipping stage bonus:

The boss stage bonus is calculated from the exact same metrics, despite half of them being labeled differently. The only actual differences are in the higher multipliers and in the cap for the stage number bonus. Why remove it if raising it high enough also effectively disables it?

The transition between the gameplay and TOTLE screens is one of the more impressive effects showcased in this game, especially due to how wavy it often tends to look. Aside from the palette interpolation (which is, by the way, the first time ZUN wrote a correct interpolation algorithm between two 4-bit palettes), the core of the effect is quite simple. With the TOTLE image blitted to VRAM page 1:

• Shift the contents of a line on VRAM page 0 by 32 pixels, alternating the shift direction between right edge → left edge (even Y values) and the other way round (odd Y values)
• Keep a cursor for the destination pixels on VRAM page 1 for every line, starting at the respective opposite edge
• Blit the 32 pixels at the VRAM page 1 cursor to the newly freed 32 pixels on VRAM page 0, and advance the cursor towards the other edge
• Successive line shifts will then include these newly blitted 32 pixels as well
• Repeat (640 / 32) = 20 times, after which all new pixels will be in their intended place

So it's really more like two interlaced shift effects with opposite directions, starting on different scanlines. No trigonometry involved at all.

Horizontally scrolling pixels on a single VRAM page remains one of the few 📝 appropriate uses of the EGC in a fullscreen 640×400 PC-98 game, regardless of the copied block size. The few inter-page copies in this effect are also reasonable: With 8 new lines starting on each effect frame, up to (8 × 20) = 160 lines are transferred at any given time, resulting in a maximum of (160 × 2 × 2) = 640 VRAM page switches per frame for the newly transferred pixels. Not that frame rate matters in this situation to begin with though, as the game is doing nothing else while playing this effect.
What does sort of matter: Why 32 pixels every 2 frames, instead of 16 pixels on every frame? There's no performance difference between doing one half of the work in one frame, or two halves of the work in two frames. It's not like the overhead of another loop has a serious impact here, especially with the PC-98 VRAM being said to have rather high latencies. 32 pixels over 2 frames is also harder to code, so ZUN must have done it on purpose. Guess he really wanted to go for that 📽 cinematic 30 FPS look 📽 here…

Once all the metrics have been calculated, ZUN animates each value with a rather fancy left-to-right typing effect. As 16×16 images that use a single bright-red color, these numbers would be perfect candidates for gaiji… except that ZUN wanted to render them at the more natural Y positions of the labels inside CLEAR3.GRP that are far from aligned to the 8×16 text RAM grid. Not having been in the mood for hardcoding another set of monochrome sprites as C arrays that day, ZUN made the still reasonable choice of storing the image data for these numbers in the single-color .GRC form– yeah, no, of course he once again chose the .PTN hammer, and its 📝 16×16 "quarter" wrapper functions around nominal 32×32 sprites.

Why do I bring up such a detail? What's actually going on there is that ZUN loops through and blits each digit from 0 to 9, and then continues the loop with "digit" numbers from 10 to 19, stopping before the number whose ones digit equals the one that should stay on screen. No problem with that in theory, and the .PTN sprite selection is correct… but the .PTN quarter selection isn't, as ZUN wrote (digit % 4) instead of the correct ((digit % 10) % 4). Since .PTN quarters are indexed in a row-major way, the 10-19 part of the loop thus ends up blitting 2 → 3 → 0 → 1 → 6 → 7 → 4 → 5 → (nothing):

Seriously though? If the deadline is looming and you've got to rush some part of your game, a standalone screen that doesn't affect anything is the best place to pick. At 4 milliseconds per digit, the animation goes by so fast that this quirk might even add to its perceived fanciness. It's exactly the reason why I've always been rather careful with labeling such quirks as "bugs". And in the end, the code does perform one more blitting call after the loop to make sure that the correct digit remains on screen.

Lovely! With no mouse-related code left in the game otherwise, this cursor sprite provides some great fuel for wild fan theories about TH01's development history:

1. Could ZUN have 📝 stolen the basic PC-98 VSync or text RAM function code from a source that also implemented mouse support?
2. Did he have a mouse-controlled level editor during development? It's highly likely that he had something, given all the 📝 bit twiddling seen in the STAGE?.DAT format.
3. Or was this game actually meant to have mouse-controllable portions at some point during development? Even if it would have just been the menus.

… Actually, you know what, with all shared data moved to C land, I might as well finish FUUIN.EXE right now. The last secret hidden in its main() function: Just like GAME.BAT supports launching the game in various debug modes from the DOS command line, FUUIN.EXE can directly launch one of the game's endings. As long as the MDRV2 driver is installed, you can enter fuuin t1 for the 魔界/Makai Good Ending, or fuuin t for 地獄/Jigoku Good Ending.
Unfortunately, the command-line parameter can only control the route. Choosing between a Good or Bad Ending is still done exclusively through TH01's resident structure, and the continues_per_scene array in particular. But if you pre-allocate that structure somehow and set one of the members to a nonzero value, it would work. Trainers, anyone?

Alright, gotta get back to the code if I want to have any chance of finishing this game before the 15^th… Next up: The final 17 functions in REIIDEN.EXE that tie everything together and add some more debug features on top.

📝 Posted:

2022-06-17 17:03 UTC

🚚 Summary of:

P0198, P0199, P0200

⌨ Commits:

48db0b7...440637e, 440637e...5af2048, 5af2048...67e46b5

💰 Funded by:

Ember2528, Lmocinemod, Yanga

🏷 Tags:

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rec98

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gameplay

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boss

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kikuri

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blitting

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glitch

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danmaku-pattern

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pc98

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performance

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tcc

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What's this? A simple, straightforward, easy-to-decompile TH01 boss with just a few minor quirks and only two rendering-related ZUN bugs? Yup, 2½ pushes, and Kikuri was done. Let's get right into the overview:

• Just like 📝 Elis, Kikuri's fight consists of 5 phases, excluding the entrance animation. For some reason though, they are numbered from 2 to 6 this time, skipping phase 1? For consistency, I'll use the original phase numbers from the source code in this blog post.
• The main phases (2, 5, and 6) also share Elis' HP boundaries of 10, 6, and 0, respectively, and are once again indicated by different colors in the HP bar. They immediately end upon reaching the given number of HP, making Kikuri immune to the 📝 heap corruption in test or debug mode that can happen with Elis and Konngara.
• Phase 2 solely consists of the infamous big symmetric spiral pattern.
• Phase 3 fades Kikuri's ball of light from its default bluish color to bronze over 100 frames. Collision detection is deactivated during this phase.
• In Phase 4, Kikuri activates her two souls while shooting the spinning 8-pellet circles from the previously activated ball. The phase ends shortly after the souls fired their third spread pellet group.
  • Note that this is a timed phase without an HP boundary, which makes it possible to reduce Kikuri's HP below the boundaries of the next phases, effectively skipping them. Take this video for example, where Kikuri has 6 HP by the end of Phase 4, and therefore directly starts Phase 6.
    (Obviously, Kikuri's HP can also be reduced to 0 or below, which will end the fight immediately after this phase.)
• Phase 5 combines the teardrop/ripple "pattern" from the souls with the "two crossed eye laser" pattern, on independent cycles.
• Finally, Kikuri cycles through her remaining 4 patterns in Phase 6, while the souls contribute single aimed pellets every 200 frames.
• Interestingly, all HP-bounded phases come with an additional hidden timeout condition:
  • Phase 2 automatically ends after 6 cycles of the spiral pattern, or 5,400 frames in total.
  • Phase 5 ends after 1,600 frames, or the first frame of the 7^th cycle of the two crossed red lasers.
  • If you manage to keep Kikuri alive for 29 of her Phase 6 patterns, her HP are automatically set to 1. The HP bar isn't redrawn when this happens, so there is no visual indication of this timeout condition even existing – apart from the next Orb hit ending the fight regardless of the displayed HP. Due to the deterministic order of patterns, this always happens on the 8^th cycle of the "symmetric gravity pellet lines from both souls" pattern, or 11,800 frames. If dodging and avoiding orb hits for 3½ minutes sounds tiring, you can always watch the byte at DS:0x1376 in your emulator's memory viewer. Once it's at 0x1E, you've reached this timeout.

So yeah, there's your new timeout challenge.

The few issues in this fight all relate to hitboxes, starting with the main one of Kikuri against the Orb. The coordinates in the code clearly describe a hitbox in the upper center of the disc, but then ZUN wrote a < sign instead of a > sign, resulting in an in-game hitbox that's not quite where it was intended to be…

Much worse, however, are the teardrop ripples. It already starts with their rendering routine, which places the sprites from TAMAYEN.PTN at byte-aligned VRAM positions in the ultimate piece of if(…) {…} else if(…) {…} else if(…) {…} meme code. Rather than tracking the position of each of the five ripple sprites, ZUN suddenly went purely functional and manually hardcoded the exact rendering and collision detection calls for each frame of the animation, based on nothing but its total frame counter.
Each of the (up to) 5 columns is also unblitted and blitted individually before moving to the next column, starting at the center and then symmetrically moving out to the left and right edges. This wouldn't be a problem if ZUN's EGC-powered unblitting function didn't word-align its X coordinates to a 16×1 grid. If the ripple sprites happen to start at an odd VRAM byte position, their unblitting coordinates get rounded both down and up to the nearest 16 pixels, thus touching the adjacent 8 pixels of the previously blitted columns and leaving the well-known black vertical bars in their place.

OK, so where's the hitbox issue here? If you just look at the raw calculation, it's a slightly confusingly expressed, but perfectly logical 17 pixels. But this is where byte-aligned blitting has a direct effect on gameplay: These ripples can be spawned at any arbitrary, non-byte-aligned VRAM position, and collisions are calculated relative to this internal position. Therefore, the actual hitbox is shifted up to 7 pixels to the right, compared to where you would expect it from a ripple sprite's on-screen position:

We've previously seen the same issue with the 📝 shot hitbox of Elis' bat form, where pixel-perfect collision detection against a byte-aligned sprite was merely a sidenote compared to the more serious X=Y coordinate bug. So why do I elevate it to bug status here? Because it directly affects dodging: Reimu's regular movement speed is 4 pixels per frame, and with the internal position of an on-screen ripple sprite varying by up to 7 pixels, any micrododging (or "grazing") attempt turns into a coin flip. It's sort of mitigated by the fact that Reimu is also only ever rendered at byte-aligned VRAM positions, but I wouldn't say that these two bugs cancel out each other.
Oh well, another set of rendering issues to be fixed in the hypothetical Anniversary Edition – obviously, the hitboxes should remain unchanged. Until then, you can always memorize the exact internal positions. The sequence of teardrop spawn points is completely deterministic and only controlled by the fixed per-difficulty spawn interval.

Aside from more minor coordinate inaccuracies, there's not much of interest in the rest of the pattern code. In another parallel to Elis though, the first soul pattern in phase 4 is aimed on every difficulty except Lunatic, where the pellets are once again statically fired downwards. This time, however, the pattern's difficulty is much more appropriately distributed across the four levels, with the simultaneous spinning circle pellets adding a constant aimed component to every difficulty level.

That brings us to 5 fully decompiled PC-98 Touhou bosses, with 26 remaining… and another ½ of a push going to the cutscene code in FUUIN.EXE.
You wouldn't expect something as mundane as the boss slideshow code to contain anything interesting, but there is in fact a slight bit of speculation fuel there. The text typing functions take explicit string lengths, which precisely match the corresponding strings… for the most part. For the "Gatekeeper 'SinGyoku'" string though, ZUN passed 23 characters, not 22. Could that have been the "h" from the Hepburn romanization of 神玉?!
Also, come on, if this text is already blitted to VRAM for no reason, you could have gone for perfect centering at unaligned byte positions; the rendering function would have perfectly supported it. Instead, the X coordinates are still rounded up to the nearest byte.

The hardcoded ending cutscene functions should be even less interesting – don't they just show a bunch of images followed by frame delays? Until they don't, and we reach the 地獄/Jigoku Bad Ending with its special shake/"boom" effect, and this picture:

Which is rendered by the following code:

for(int i = 0; i <= boom_duration; i++) { // (yes, off-by-one)
	if((i & 3) == 0) {
		graph_scrollup(8);
	} else {
		graph_scrollup(0);
	}

	end_pic_show(1); // ← different picture is rendered
	frame_delay(2);  // ← blocks until 2 VSync interrupts have occurred

	if(i & 1) {
		end_pic_show(2); // ← picture above is rendered
	} else {
		end_pic_show(1);
	}
}

Notice something? You should never see this picture because it's immediately overwritten before the frame is supposed to end. And yet it's clearly flickering up for about one frame with common emulation settings as well as on my real PC-9821 Nw133, clocked at 133 MHz. master.lib's graph_scrollup() doesn't block until VSync either, and removing these calls doesn't change anything about the blitted images. end_pic_show() uses the EGC to blit the given 320×200 quarter of VRAM from page 1 to the visible page 0, so the bottleneck shouldn't be there either…

…or should it? After setting it up via a few I/O port writes, the common method of EGC-powered blitting works like this:

1. Read 16 bits from the source VRAM position on any single bitplane. This fills the EGC's 4 16-bit tile registers with the VRAM contents at that specific position on every bitplane. You do not care about the value the CPU returns from the read – in optimized code, you would make sure to just read into a register to avoid useless additional stores into local variables.
2. Write any 16 bits to the target VRAM position on any single bitplane. This copies the contents of the EGC's tile registers to that specific position on every bitplane.

To transfer pixels from one VRAM page to another, you insert an additional write to I/O port 0xA6 before 1) and 2) to set your source and destination page… and that's where we find the bottleneck. Taking a look at the i486 CPU and its cycle counts, a single one of these page switches costs 17 cycles – 1 for MOVing the page number into AL, and 16 for the OUT instruction itself. Therefore, the 8,000 page switches required for EGC-copying a 320×200-pixel image require 136,000 cycles in total.

And that's the optimal case of using only those two instructions. 📝 As I implied last time, TH01 uses a function call for VRAM page switches, complete with creating and destroying a useless stack frame and unnecessarily updating a global variable in main memory. I tried optimizing ZUN's code by throwing out unnecessary code and using 📝 pseudo-registers to generate probably optimal assembly code, and that did speed up the blitting to almost exactly 50% of the original version's run time. However, it did little about the flickering itself. Here's a comparison of the first loop with boom_duration = 16, recorded in DOSBox-X with cputype=auto and cycles=max, and with i overlaid using the text chip. Caution, flashing lights:

I pushed the optimized code to the th01_end_pic_optimize branch, to also serve as an example of how to get close to optimal code out of Turbo C++ 4.0J without writing a single ASM instruction.
And if you really want to use the EGC for this, that's the best you can do. It really sucks that it merely expanded the GRCG's 4×8-bit tile register to 4×16 bits. With 32 bits, ≥386 CPUs could have taken advantage of their wider registers and instructions to double the blitting performance. Instead, we now know the reason why 📝 Promisence Soft's EGC-powered sprite driver that ZUN later stole for TH03 is called SPRITE16 and not SPRITE32. What a massive disappointment.

But what's perhaps a bigger surprise: Blitting planar images from main memory is much faster than EGC-powered inter-page VRAM copies, despite the required manual access to all 4 bitplanes. In fact, the blitting functions for the .CDG/.CD2 format, used from TH03 onwards, would later demonstrate the optimal method of using REP MOVSD for blitting every line in 32-pixel chunks. If that was also used for these ending images, the core blitting operation would have taken ((12 + (3 × (320 / 32))) × 200 × 4) = 33,600 cycles, with not much more overhead for the surrounding row and bitplane loops. Sure, this doesn't factor in the whole infamous issue of VRAM being slow on PC-98, but the aforementioned 136,000 cycles don't even include any actual blitting either. And as you move up to later PC-98 models with Pentium CPUs, the gap between OUT and REP MOVSD only becomes larger. (Note that the page I linked above has a typo in the cycle count of REP MOVSD on Pentium CPUs: According to the original Intel Architecture and Programming Manual, it's 13+𝑛, not 3+𝑛.)
This difference explains why later games rarely use EGC-"accelerated" inter-page VRAM copies, and keep all of their larger images in main memory. It especially explains why TH04 and TH05 can get away with naively redrawing boss backdrop images on every frame.

In the end, the whole fact that ZUN did not define how long this image should be visible is enough for me to increment the game's overall bug counter. Who would have thought that looking at endings of all things would teach us a PC-98 performance lesson… Sure, optimizing TH01 already seemed promising just by looking at its bloated code, but I had no idea that its performance issues extended so far past that level.

That only leaves the common beginning part of all endings and a short main() function before we're done with FUUIN.EXE, and 98 functions until all of TH01 is decompiled! Next up: SinGyoku, who not only is the quickest boss to defeat in-game, but also comes with the least amount of code. See you very soon!

📝 Posted:

2022-05-31 23:43 UTC

🚚 Summary of:

P0193, P0194, P0195, P0196, P0197

⌨ Commits:

e1f3f9f...183d7a2, 183d7a2...5d93a50, 5d93a50...e18c53d, e18c53d...57c9ac5, 57c9ac5...48db0b7

💰 Funded by:

Ember2528, Yanga

🏷 Tags:

th01

+

rec98

-

gameplay

+

boss

+

elis

+

mima-th01

+

rng

+

danmaku-pattern

+

bug

+

jank

+

glitch

+

unused

+

pc98

-

blitting

+

mod

+

score

+

With Elis, we've not only reached the midway point in TH01's boss code, but also a bunch of other milestones: Both REIIDEN.EXE and TH01 as a whole have crossed the 75% RE mark, and overall position independence has also finally cracked 80%!

And it got done in 4 pushes again? Yup, we're back to 📝 Konngara levels of redundancy and copy-pasta. This time, it didn't even stop at the big copy-pasted code blocks for the rift sprite and 256-pixel circle animations, with the words "redundant" and "unnecessary" ending up a total of 18 times in my source code comments.
But damn is this fight broken. As usual with TH01 bosses, let's start with a high-level overview:

• The Elis fight consists of 5 phases (excluding the entrance animation), which must be completed in order.
• In all odd-numbered phases, Elis uses a random one-shot danmaku pattern from an exclusive per-phase pool before teleporting to a random position.
  • There are 3 exclusive girl-form patterns per phase, plus 4 additional bat-form patterns in phase 5, for a total of 13.
  • Due to a quirk in the selection algorithm in phases 1 and 3, there is a 25% chance of Elis skipping an attack cycle and just teleporting again.
  • In contrast to Konngara, Elis can freely select the same pattern multiple times in a row. There's nothing in the code to prevent that from happening.
• This pattern+teleport cycle is repeated until Elis' HP reach a certain threshold value. The odd-numbered phases correspond to the white (phase 1), red-white (phase 3), and red (phase 5) sections of the health bar. However, the next phase can only start at the end of each cycle, after a teleport.
• Phase 2 simply teleports Elis back to her starting screen position of (320, 144) and then advances to phase 3.
• Phase 4 does the same as phase 2, but adds the initial bat form transformation before advancing to phase 5.
• Phase 5 replaces the teleport with a transformation to the bat form. Rather than teleporting instantly to the target position, the bat gradually flies there, firing a randomly selected looping pattern from the 4-pattern bat pool on the way, before transforming back to the girl form.

This puts the earliest possible end of the fight at the first frame of phase 5. However, nothing prevents Elis' HP from reaching 0 before that point. You can nicely see this in 📝 debug mode: Wait until the HP bar has filled up to avoid heap corruption, hold ↵ Return to reduce her HP to 0, and watch how Elis still goes through a total of two patterns* and four teleport animations before accepting defeat.

But wait, heap corruption? Yup, there's a bug in the HP bar that already affected Konngara as well, and it isn't even just about the graphical glitches generated by negative HP:

• Because 📝 the backgrounds behind the points are kept in main memory, there has to be a cap on the number of hitpoints, which turns out to be 96.
• The initial fill-up animation is drawn to both VRAM pages at a rate of 1 HP per frame… by passing the current frame number as the current_hp number.
• The target_hp is indicated by simply passing the current HP…
• … which, however, can be reduced in debug mode at an equal rate of up to 1 HP per frame.
• The completion condition only checks if ((target_hp - 1) == current_hp). With the right timing, both numbers can therefore run past each other.
• In that case, the function is repeatedly called on every frame, backing up the original VRAM contents for the current HP point before blitting it…
• … until frame ((96 / 2) + 1), where the .PTN slot pointer overflows the heap buffer and overwrites whatever comes after. 📝 Sounds familiar, right?

Since Elis starts with 14 HP, which is an even number, this corruption is trivial to cause: Simply hold ↵ Return from the beginning of the fight, and the completion condition will never be true, as the HP and frame numbers run past the off-by-one meeting point.

Regular gameplay, however, entirely prevents this due to the fixed start positions of Reimu and the Orb, the Orb's fixed initial trajectory, and the 50 frames of delay until a bomb deals damage to a boss. These aspects make it impossible to hit Elis within the first 14 frames of phase 1, and ensure that her HP bar is always filled up completely. So ultimately, this bug ends up comparable in seriousness to the 📝 recursion / stack overflow bug in the memory info screen.

These wavy teleport animations point to a quite frustrating architectural issue in this fight. It's not even the fact that unblitting the yellow star sprites rips temporary holes into Elis' sprite; that's almost expected from TH01 at this point. Instead, it's all because of this unused frame of the animation:

With this sprite still being part of BOSS5.BOS, Girl-Elis has a total of 9 animation frames, 1 more than the 📝 8 per-entity sprites allowed by ZUN's architecture. The quick and easy solution would have been to simply bump the sprite array size by 1, but… nah, this would have added another 20 bytes to all 6 of the .BOS image slots. Instead, ZUN wrote the manual position synchronization code I mentioned in that 2020 blog post. Ironically, he then copy-pasted this snippet of code often enough that it ended up taking up more than 120 bytes in the Elis fight alone – with, you guessed it, some of those copies being redundant. Not to mention that just going from 8 to 9 sprites would have allowed ZUN to go down from 6 .BOS image slots to 3. That would have actually saved 420 bytes in addition to the manual synchronization trouble. Looking forward to SinGyoku, that's going to be fun again…

As for the fight itself, it doesn't take long until we reach its most janky danmaku pattern, right in phase 1:

• For whatever reason, the lower-right quarter of the circle isn't animated? This animation works by only drawing the new dots added with every subsequent animation frame, expressed as a tiny arc of a dotted circle. This arc starts at the animation's current 8-bit angle and ends on the sum of that angle and a hardcoded constant. In every other (copy-pasted, and correct) instance of this animation, ZUN uses 0x02 as the constant, but this one uses… 0.05 for the lower-right quarter? As in, a 64-bit double constant that truncates to 0 when added to an 8-bit integer, thus leading to the start and end angles being identical and the game not drawing anything.
• On Easy and Normal, the pattern then spawns 32 bullets along the outline of the circle, no problem there. On Lunatic though, every one of these bullets is instead turned into a narrow-angled 5-spread, resulting in 160 pellets… in a game with a pellet cap of 100. Now, if Elis teleported herself to a position near the top of the playfield, most of the capped pellets would have been clipped at that top edge anyway, since the bullets are spawned in clockwise order starting at Elis' right side with an angle of 0x00. On lower positions though, you can definitely see a difference if the cap were high enough to allow all coded pellets to actually be spawned.
  The Hard version gets dangerously close to the cap by spawning a total of 96 pellets. Since this is the only pattern in phase 1 that fires pellets though, you are guaranteed to see all of the unclipped ones.
• The pellets also aren't spawned exactly on the telegraphed circle, but 4 pixels to the left.

Then again, it might very well be that all of this was intended, or, most likely, just left in the game as a happy accident. The latter interpretation would explain why ZUN didn't just delete the rendering calls for the lower-right quarter of the circle, because seriously, how would you not spot that? The phase 3 patterns continue with more minor graphical glitches that aren't even worth talking about anymore.

And then Elis transforms into her bat form at the beginning of Phase 5, which displays some rather unique hitboxes. The one against the Orb is fine, but the one against player shots…

… uses the bat's X coordinate for both X and Y dimensions. In regular gameplay, it's not too bad as most of the bat patterns fire aimed pellets which typically don't allow you to move below her sprite to begin with. But if you ever tried destroying these pellets while standing near the middle of the playfield, now you know why that didn't work. This video also nicely points out how the bat, like any boss sprite, is only ever blitted at positions on the 8×1-pixel VRAM byte grid, while collision detection uses the actual pixel position.

The bat form patterns are all relatively simple, with little variation depending on the difficulty level, except for the "slow pellet spreads" pattern. This one is almost easiest to dodge on Lunatic, where the 5-spreads are not only always fired downwards, but also at the hardcoded narrow delta angle, leaving plenty of room for the player to move out of the way:

Finally, we've got another potential timesave in the girl form's "safety circle" pattern:

After the circle spawned completely, you lose a life by moving outside it, but doing that immediately advances the pattern past the circle part. This part takes 200 frames, but the defeat animation only takes 82 frames, so you can save up to 118 frames there.

Final funny tidbit: As with all dynamic entities, this circle is only blitted to VRAM page 0 to allow easy unblitting. However, it's also kind of static, and there needs to be some way to keep the Orb, the player shots, and the pellets from ripping holes into it. So, ZUN just re-blits the circle every… 4 frames?! 🤪 The same is true for the Star of David and its surrounding circle, but there you at least get a flash animation to justify it. All the overlap is actually quite a good reason for not even attempting to 📝 mess with the hardware color palette instead.

And that's the 4th PC-98 Touhou boss decompiled, 27 to go… but wait, all these quirks, and I still got nothing about the one actual crash that can appear in regular gameplay? There has even been a recent video about it. The cause has to be in Elis' main function, after entering the defeat branch and before the blocking white-out animation. It can't be anywhere else other than in the 📝 central line blitting and unblitting function, called from 📝 that one broken laser reset+unblit function, because everything else in that branch looks fine… and I think we can rule out a crash in MDRV2's non-blocking fade-out call. That's going to need some extra research, and a 5th push added on top of this delivery.

Reproducing the crash was the whole challenge here. Even after moving Elis and Reimu to the exact positions seen in Pearl's video and setting Elis' HP to 0 on the exact same frame, everything ran fine for me. It's definitely no division by 0 this time, the function perfectly guards against that possibility. The line specified in the function's parameters is always clipped to the VRAM region as well, so we can also rule out illegal memory accesses here…

… or can we? Stepping through it all reminded me of how this function brings unblitting sloppiness to the next level: For each VRAM byte touched, ZUN actually unblits the 4 surrounding bytes, adding one byte to the left and two bytes to the right, and using a single 32-bit read and write per bitplane. So what happens if the function tries to unblit the topmost byte of VRAM, covering the pixel positions from (0, 0) to (7, 0) inclusive? The VRAM offset of 0x0000 is decremented to 0xFFFF to cover the one byte to the left, 4 bytes are written to this address, the CPU's internal offset overflows… and as it turns out, that is illegal even in Real Mode as of the 80286, and will raise a General Protection Fault. Which is… ignored by DOSBox-X, every Neko Project II version in common use, the CSCP emulators, SL9821, and T98-Next. Only Anex86 accurately emulates the behavior of real hardware here.

OK, but no laser fired by Elis ever reaches the top-left corner of the screen. How can such a fault even happen in practice? That's where the broken laser reset+unblit function comes in: Not only does it just flat out pass the wrong parameters to the line unblitting function – describing the line already traveled by the laser and stopping where the laser begins – but it also passes them wrongly, in the form of raw 32-bit fixed-point Q24.8 values, with no conversion other than a truncation to the signed 16-bit pixels expected by the function. What then follows is an attempt at interpolation and clipping to find a line segment between those garbage coordinates that actually falls within the boundaries of VRAM:

1. right/bottom correspond to a laser's origin position, and left/top to the leftmost pixel of its moved-out top line. The bug therefore only occurs with lasers that stopped growing and have started moving.
2. Moreover, it will only happen if either (left % 256) or (right % 256) is ≤ 127 and the other one of the two is ≥ 128. The typecast to signed 16-bit integers then turns the former into a large positive value and the latter into a large negative value, triggering the function's clipping code.
3. The function then follows Bresenham's algorithm: left is ensured to be smaller than right by swapping the two values if necessary. If that happened, top and bottom are also swapped, regardless of their value – the algorithm does not care about their order.
4. The slope in the X dimension is calculated using an integer division of ((bottom - top) / (right - left)). Both subtractions are done on signed 16-bit integers, and overflow accordingly.
5. (-left × slope_x) is added to top, and left is set to 0.
6. If both top and bottom are < 0 or ≥ 640, there's nothing to be unblitted. Otherwise, the final coordinates are clipped to the VRAM range of [(0, 0), (639, 399)].
7. If the function got this far, the line to be unblitted is now very likely to reach from
   1. the top-left to the bottom-right corner, starting out at (0, 0) right away, or
   2. from the bottom-left corner to the top-right corner. In this case, you'd expect unblitting to end at (639, 0), but thanks to an off-by-one error, it actually ends at (640, -1), which is equivalent to (0, 0). Why add clipping to VRAM offset calculations when everything else is clipped already, right?

tl;dr: TH01 has a high chance of freezing at a boss defeat sequence if there are diagonally moving lasers on screen, and if your PC-98 system raises a General Protection Fault on a 4-byte write to offset 0xFFFF, and if you don't run a TSR with an INT 0Dh handler that might handle this fault differently.

The easiest fix option would be to just remove the attempted laser unblitting entirely, but that would also have an impact on this game's… distinctive visual glitches, in addition to touching a whole lot of code bytes. If I ever get funded to work on a hypothetical TH01 Anniversary Edition that completely rearchitects the game to fix all these glitches, it would be appropriate there, but not for something that purports to be the original game.

(Sidenote to further hype up this Anniversary Edition idea for PC-98 hardware owners: With the amount of performance left on the table at every corner of this game, I'm pretty confident that we can get it to work decently on PC-98 models with just an 80286 CPU.)

Since we're in critical infrastructure territory once again, I went for the most conservative fix with the least impact on the binary: Simply changing any VRAM offsets >= 0xFFFD to 0x0000 to avoid the GPF, and leaving all other bugs in place. Sure, it's rather lazy and "incorrect"; the function still unblits a 32-pixel block there, but adding a special case for blitting 24 pixels would add way too much code. And seriously, it's not like anything happens in the 8 pixels between (24, 0) and (31, 0) inclusive during gameplay to begin with. To balance out the additional per-row if() branch, I inlined the VRAM page change I/O, saving two function calls and one memory write per unblitted row.

That means it's time for a new community_choice_fixes build, containing the new definitive bugfixed versions of these games: 2022-05-31-community-choice-fixes.zip Check the th01_critical_fixes branch for the modified TH01 code. It also contains a fix for the HP bar heap corruption in test or debug mode – simply changing the == comparison to <= is enough to avoid it, and negative HP will still create aesthetic glitch art.

Once again, I then was left with ½ of a push, which I finally filled with some FUUIN.EXE code, specifically the verdict screen. The most interesting part here is the player title calculation, which is quite sneaky: There are only 6 skill levels, but three groups of titles for each level, and the title you'll see is picked from a random group. It looks like this is the first time anyone has documented the calculation?
As for the levels, ZUN definitely didn't expect players to do particularly well. With a 1cc being the standard goal for completing a Touhou game, it's especially funny how TH01 expects you to continue a lot: The code has branches for up to 21 continues, and the on-screen table explicitly leaves room for 3 digits worth of continues per 5-stage scene. Heck, these counts are even stored in 32-bit long variables.

Next up: 📝 Finally finishing the long overdue Touhou Patch Center MediaWiki update work, while continuing with Kikuri in the meantime. Originally I wasn't sure about what to do between Elis and Seihou, but with Ember2528's surprise contribution last week, y'all have demonstrated more than enough interest in the idea of getting TH01 done sooner rather than later. And I agree – after all, we've got the 25th anniversary of its first public release coming up on August 15, and I might still manage to completely decompile this game by that point…

📝 Posted:

2022-04-30 22:58 UTC

🚚 Summary of:

P0190, P0191, P0192

⌨ Commits:

5734815...293e16a, 293e16a...71cb7b5, 71cb7b5...e1f3f9f

💰 Funded by:

nrook, -Tom-, [Anonymous]

🏷 Tags:

th02

+

th03

+

th04

+

th05

+

rec98

-

gameplay

+

boss

+

shinki

+

danmaku-pattern

+

midboss

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master.lib

+

file-format

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tcc

+

pc98

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micro-optimization

+

The important things first:

• TH05 has passed the 50% RE mark, with both MAIN.EXE and the game as a whole! With that, we've also reached what -Tom- wanted out of the project, so he's suspending his discount offer for a bit.
• Curve bullets are now officially called cheetos! 76.7% of fans prefer this term, and it fits into the 8.3 DOS filename scheme much better than homing lasers (as they're called in OMAKE.TXT) or Taito lasers (which would indeed have made sense as well).
• …oh, and I managed to decompile Shinki within 2 pushes after all. That left enough budget to also add the Stage 1 midboss on top.

So, Shinki! As far as final boss code is concerned, she's surprisingly economical, with 📝 her background animations making up more than ⅓ of her entire code. Going straight from TH01's 📝 final 📝 bosses to TH05's final boss definitely showed how much ZUN had streamlined danmaku pattern code by the end of PC-98 Touhou. Don't get me wrong, there is still room for improvement: TH05 not only 📝 reuses the same 16 bytes of generic boss state we saw in TH04 last month, but also uses them 4× as often, and even for midbosses. Most importantly though, defining danmaku patterns using a single global instance of the group template structure is just bad no matter how you look at it:

• The script code ends up rather bloated, with a single MOV instruction for setting one of the fields taking up 5 bytes. By comparison, the entire structure for regular bullets is 14 bytes large, while the template structure for Shinki's 32×32 ball bullets could have easily been reduced to 8 bytes.
• Since it's also one piece of global state, you can easily forget to set one of the required fields for a group type. The resulting danmaku group then reuses these values from the last time they were set… which might have been as far back as another boss fight from a previous stage. And of course, I wouldn't point this out if it didn't actually happen in Shinki's pattern code. Twice.

Declaring a separate structure instance with the static data for every pattern would be both safer and more space-efficient, and there's more than enough space left for that in the game's data segment.
But all in all, the pattern functions are short, sweet, and easy to follow. The "devil" pattern is significantly more complex than the others, but still far from TH01's final bosses at their worst. I especially like the clear architectural separation between "one-shot pattern" functions that return true once they're done, and "looping pattern" functions that run as long as they're being called from a boss's main function. Not many all too interesting things in these pattern functions for the most part, except for two pieces of evidence that Shinki was coded after Yumeko:

• The gather animation function in the first two phases contains a bullet group configuration that looks like it's part of an unused danmaku pattern. It quickly turns out to just be copy-pasted from a similar function in Yumeko's fight though, where it is turned into actual bullets.
• As one of the two places where ZUN forgot to set a template field, the lasers at the end of the white wing preparation pattern reuse the 6-pixel width of Yumeko's final laser pattern. This actually has an effect on gameplay: Since these lasers are active for the first 8 frames after Shinki's wings appear on screen, the player can get hit by them in the last 2 frames after they grew to their final width.

Speaking about that wing sprite: If you look at ST05.BB2 (or any other file with a large sprite, for that matter), you notice a rather weird file layout:

And it's not a limitation of the sprite width field in the BFNT+ header either. Instead, it's master.lib's BFNT functions which are limited to sprite widths up to 64 pixels… or at least that's what MASTER.MAN claims. Whatever the restriction was, it seems to be completely nonexistent as of master.lib version 0.23, and none of the master.lib functions used by the games have any issues with larger sprites.
Since ZUN stuck to the supposed 64-pixel width limit though, it's now the game that expects Shinki's winged form to consist of 4 physical sprites, not just 1. Any conversion from another, more logical sprite sheet layout back into BFNT+ must therefore replicate the original number of sprites. Otherwise, the sequential IDs ("patnums") assigned to every newly loaded sprite no longer match ZUN's hardcoded IDs, causing the game to crash. This is exactly what used to happen with -Tom-'s MysticTK automation scripts, which combined these exact sprites into a single large one. This issue has now been fixed – just in case there are some underground modders out there who used these scripts and wonder why their game crashed as soon as the Shinki fight started.

And then the code quality takes a nosedive with Shinki's main function. Even in TH05, these boss and midboss update functions are still very imperative:

• The origin point of all bullet types used by a boss must be manually set to the current boss/midboss position; there is no concept of a bullet type tracking a certain entity.
• The same is true for the target point of a player's homing shots…
• … and updating the HP bar. At least the initial fill animation is abstracted away rather decently.
• Incrementing the phase frame variable also must be done manually. TH05 even "innovates" here by giving the boss update function exclusive ownership of that variable, in contrast to TH04 where that ownership is given out to the player shot collision detection (?!) and boss defeat helper functions.
• Speaking about collision detection: That is done by calling different functions depending on whether the boss is supposed to be invincible or not.
• Timeout conditions? No standard way either, and all done with manual if statements. In combination with the regular phase end condition of lowering (mid)boss HP to a certain value, this leads to quite a convoluted control flow.
• The manual calls to the score bonus functions for cleared phases at least provide some sense of orientation.
• One potentially nice aspect of all this imperative freedom is that phases can end outside of HP boundaries… by manually incrementing the phase variable and resetting the phase frame variable to 0.

The biggest WTF in there, however, goes to using one of the 16 state bytes as a "relative phase" variable for differentiating between boss phases that share the same branch within the switch(boss.phase) statement. While it's commendable that ZUN tried to reduce code duplication for once, he could have just branched depending on the actual boss.phase variable? The same state byte is then reused in the "devil" pattern to track the activity state of the big jerky lasers in the second half of the pattern. If you somehow managed to end the phase after the first few bullets of the pattern, but before these lasers are up, Shinki's update function would think that you're still in the phase before the "devil" pattern. The main function then sequence-breaks right to the defeat phase, skipping the final pattern with the burning Makai background. Luckily, the HP boundaries are far away enough to make this impossible in practice.
The takeaway here: If you want to use the state bytes for your custom boss script mods, alias them to your own 16-byte structure, and limit each of the bytes to a clearly defined meaning across your entire boss script.

One final discovery that doesn't seem to be documented anywhere yet: Shinki actually has a hidden bomb shield during her two purple-wing phases. uth05win got this part slightly wrong though: It's not a complete shield, and hitting Shinki will still deal 1 point of chip damage per frame. For comparison, the first phase lasts for 3,000 HP, and the "devil" pattern phase lasts for 5,800 HP.

And there we go, 3rd PC-98 Touhou boss script* decompiled, 28 to go! 🎉 In case you were expecting a fix for the Shinki death glitch: That one is more appropriately fixed as part of the Mai & Yuki script. It also requires new code, should ideally look a bit prettier than just removing cheetos between one frame and the next, and I'd still like it to fit within the original position-dependent code layout… Let's do that some other time.
Not much to say about the Stage 1 midboss, or midbosses in general even, except that their update functions have to imperatively handle even more subsystems, due to the relative lack of helper functions.

The remaining ¾ of the third push went to a bunch of smaller RE and finalization work that would have hardly got any attention otherwise, to help secure that 50% RE mark. The nicest piece of code in there shows off what looks like the optimal way of setting up the 📝 GRCG tile register for monochrome blitting in a variable color:

mov ah, palette_index ; Any other non-AL 8-bit register works too.
                      ; (x86 only supports AL as the source operand for OUTs.)

rept 4                ; For all 4 bitplanes…
    shr ah,  1        ; Shift the next color bit into the x86 carry flag
    sbb al,  al       ; Extend the carry flag to a full byte
                      ; (CF=0 → 0x00, CF=1 → 0xFF)
    out 7Eh, al       ; Write AL to the GRCG tile register
endm

Thanks to Turbo C++'s inlining capabilities, the loop body even decompiles into a surprisingly nice one-liner. What a beautiful micro-optimization, at a place where micro-optimization doesn't hurt and is almost expected.
Unfortunately, the micro-optimizations went all downhill from there, becoming increasingly dumb and undecompilable. Was it really necessary to save 4 x86 instructions in the highly unlikely case of a new spark sprite being spawned outside the playfield? That one 2D polar→Cartesian conversion function then pointed out Turbo C++ 4.0J's woefully limited support for 32-bit micro-optimizations. The code generation for 32-bit 📝 pseudo-registers is so bad that they almost aren't worth using for arithmetic operations, and the inline assembler just flat out doesn't support anything 32-bit. No use in decompiling a function that you'd have to entirely spell out in machine code, especially if the same function already exists in multiple other, more idiomatic C++ variations.
Rounding out the third push, we got the TH04/TH05 DEMO?.REC replay file reading code, which should finally prove that nothing about the game's original replay system could serve as even just the foundation for community-usable replays. Just in case anyone was still thinking that.

Next up: Back to TH01, with the Elis fight! Got a bit of room left in the cap again, and there are a lot of things that would make a lot of sense now:

• TH04 would really enjoy a large number of dedicated pushes to catch up with TH05. This would greatly support the finalization of both games.
• Continuing with TH05's bosses and midbosses has shown to be good value for your money. Shinki would have taken even less than 2 pushes if she hadn't been the first boss I looked at.
• I've got a new idea for 📝 properly linking in master.lib and getting rid of the 32-bit build step… (Edit (2022-05-31): Nope, that didn't work out after all.)
• Oh, and I also added Seihou as a selectable goal, for the two people out there who genuinely like it. If I ever want to quit my day job, I need to branch out into safer territory that isn't threatened by takedowns, after all.

📝 Posted:

2022-02-18 19:40 UTC

🚚 Summary of:

P0182, P0183

⌨ Commits:

313450f...1e2c7ad, 1e2c7ad...f9d983e

💰 Funded by:

Lmocinemod, [Anonymous], Yanga

🏷 Tags:

th03

+

rec98

-

pc98

-

gameplay

+

player

+

micro-optimization

+

tcc

+

portability

+

mod

+

Been 📝 a while since we last looked at any of TH03's game code! But before that, we need to talk about Y coordinates.

During TH03's MAIN.EXE, the PC-98 graphics GDC runs in its line-doubled 640×200 resolution, which gives the in-game portion its distinctive stretched low-res look. This lower resolution is a consequence of using 📝 Promisence Soft's SPRITE16 driver: Its performance simply stems from the fact that it expects sprites to be stored in the bottom half of VRAM, which allows them to be blitted using the same EGC-accelerated VRAM-to-VRAM copies we've seen again and again in all other games. Reducing the visible resolution also means that the sprites can be stored on both VRAM pages, allowing the game to still be double-buffered. If you force the graphics chip to run at 640×400, you can see them:

Note that the text chip still displays its overlaid contents at 640×400, which means that TH03's in-game portion technically runs at two resolutions at the same time.

But that means that any mention of a Y coordinate is ambiguous: Does it refer to undoubled VRAM pixels, or on-screen stretched pixels? Especially people who have known about the line doubling for years might almost expect technical blog posts on this game to use undoubled VRAM coordinates. So, let's introduce a new formatting convention for both on-screen 640×400 and undoubled 640×200 coordinates, and always write out both to minimize the confusion.

Alright, now what's the thing gonna be? The enemy structure is highly overloaded, being used for enemies, fireballs, and explosions with seemingly different semantics for each. Maybe a bit too much to be figured out in what should ideally be a single push, especially with all the functions that would need to be decompiled? Bullet code would be easier, but not exactly single-push material either. As it turns out though, there's something more fundamental left to be done first, which both of these subsystems depend on: collision detection!

And it's implemented exactly how I always naively imagined collision detection to be implemented in a fixed-resolution 2D bullet hell game with small hitboxes: By keeping a separate 1bpp bitmap of both playfields in memory, drawing in the collidable regions of all entities on every frame, and then checking whether any pixels at the current location of the player's hitbox are set to 1. It's probably not done in the other games because their single data segment was already too packed for the necessary 17,664 bytes to store such a bitmap at pixel resolution, and 282,624 bytes for a bitmap at Q12.4 subpixel resolution would have been prohibitively expensive in 16-bit Real Mode DOS anyway. In TH03, on the other hand, this bitmap is doubly useful, as the AI also uses it to elegantly learn what's on the playfield. By halving the resolution and only tracking tiles of 2×2 / 2×1 pixels, TH03 only requires an adequate total of 6,624 bytes of memory for the collision bitmaps of both playfields.

So how did the implementation not earn the good-code tag this time? Because the code for drawing into these bitmaps is undecompilable hand-written x86 assembly. And not just your usual ASM that was basically compiled from C and then edited to maybe optimize register allocation and maybe replace a bunch of local variables with self-modifying code, oh no. This code is full of overly clever bit twiddling, abusing the fact that the 16-bit AX, BX, CX, and DX registers can also be accessed as two 8-bit registers, calculations that change the semantic meaning behind the value of a register, or just straight-up reassignments of different values to the same small set of registers. Sure, in some way it is impressive, and it all does work and correctly covers every edge case, but come on. This could have all been a lot more readable in exchange for just a few CPU cycles.

What's most interesting though are the actual shapes that these functions draw into the collision bitmap. On the surface, we have:

1. vertical slopes at any angle across the whole playfield; exclusively used for Chiyuri's diagonal laser EX attack
2. straight vertical lines, with a width of 1 tile; exclusively used for the 2×2 / 2×1 hitboxes of bullets
3. rectangles at arbitrary sizes

But only 2) actually draws a full solid line. 1) and 3) are only ever drawn as horizontal stripes, with a hardcoded distance of 2 vertical tiles between every stripe of a slope, and 4 vertical tiles between every stripe of a rectangle. That's 66-75% of each rectangular entity's intended hitbox not actually taking part in collision detection. Now, if player hitboxes were ≤ 6 / 3 pixels, we'd have one possible explanation of how the AI can "cheat", because it could just precisely move through those blank regions at TAS speeds. So, let's make this two pushes after all and tell the complete story, since this is one of the more interesting aspects to still be documented in this game.

And the code only gets worse. While the player collision detection function is decompilable, it might as well not have been, because it's just more of the same "optimized", hard-to-follow assembly. With the four splittable 16-bit registers having a total of 20 different meanings in this function, I would have almost preferred self-modifying code…

In fact, it was so bad that it prompted some maintenance work on my inline assembly coding standards as a whole. Turns out that the _asm keyword is not only still supported in modern Visual Studio compilers, but also in Clang with the -fms-extensions flag, and compiles fine there even for 64-bit targets. While that might sound like amazing news at first ("awesome, no need to rewrite this stuff for my x86_64 Linux port!"), you quickly realize that almost all inline assembly in this codebase assumes either PC-98 hardware, segmented 16-bit memory addressing, or is a temporary hack that will be removed with further RE progress.
That's mainly because most of the raw arithmetic code uses Turbo C++'s register pseudovariables where possible. While they certainly have their drawbacks, being a non-standard extension that's not supported in other x86-targeting C compilers, their advantages are quite significant: They allow this code to stay in the same language, and provide slightly more immediate portability to any other architecture, together with 📝 readability and maintainability improvements that can get quite significant when combined with inlining:

// This one line compiles to five ASM instructions, which would need to be
// spelled out in any C compiler that doesn't support register pseudovariables.
// By adding typed aliases for these registers via `#define`, this code can be
// both made even more readable, and be prepared for an easier transformation
// into more portable local variables.
_ES = (((_AX * 4) + _BX) + SEG_PLANE_B);

However, register pseudovariables might cause potential portability issues as soon as they are mixed with inline assembly instructions that rely on their state. The lazy way of "supporting pseudo-registers" in other compilers would involve declaring the full set as global variables, which would immediately break every one of those instances:

_DI = 0;
_AX = 0xFFFF;

// Special x86 instruction doing the equivalent of
//
// 	*reinterpret_cast(MK_FP(_ES, _DI)) = _AX;
// 	_DI += sizeof(uint16_t);
//
// Only generated by Turbo C++ in very specific cases, and therefore only
// reliably available through inline assembly.
asm { movsw; }

What's also not all too standardized, though, are certain variants of the asm keyword. That's why I've now introduced a distinction between the _asm keyword for "decently sane" inline assembly, and the slightly less standard asm keyword for inline assembly that relies on the contents of pseudo-registers, and should break on compilers that don't support them.
So yeah, have some minor portability work in exchange for these two pushes not having all that much in RE'd content.

With that out of the way and the function deciphered, we can confirm the player hitboxes to be a constant 8×8 / 8×4 pixels, and prove that the hit stripes are nothing but an adequate optimization that doesn't affect gameplay in any way.

And what's the obvious thing to immediately do if you have both the collision bitmap and the player hitbox? Writing a "real hitbox" mod, of course:

1. Reorder the calls to rendering functions so that player and shot sprites are rendered after bullets
2. Blank out all player sprite pixels outside an 8×8 / 8×4 box around the center point
3. After the bullet rendering function, turn on the GRCG in RMW mode and set the tile register set to the background color
4. Stretch the negated contents of collision bitmap onto each playfield, leaving only collidable pixels untouched
5. Do the same with the actual, non-negated contents and a white color, for extra contrast against the background. This also makes sure to show any collidable areas whose sprite pixels are transparent, such as with the moon enemy. (Yeah, how unfair.) Doing that also loses a lot of information about the playfield, such as enemy HP indicated by their color, but what can you do:

2022-02-18-TH03-real-hitbox.zip The secret for writing such mods before having reached a sufficient level of position independence? Put your new code segment into DGROUP, past the end of the uninitialized data section. That's why this modded MAIN.EXE is a lot larger than you would expect from the raw amount of new code: The file now actually needs to store all these uninitialized 0 bytes between the end of the data segment and the first instruction of the mod code – normally, this number is simply a part of the MZ EXE header, and doesn't need to be redundantly stored on disk. Check the th03_real_hitbox branch for the code.

And now we know why so many "real hitbox" mods for the Windows Touhou games are inaccurate: The games would simply be unplayable otherwise – or can you dodge rapidly moving 2×2 / 2×1 blocks as an 8×8 / 8×4 rectangle that is smaller than your shot sprites, especially without focused movement? I can't. Maybe it will feel more playable after making explosions visible, but that would need more RE groundwork first.
It's also interesting how adding two full GRCG-accelerated redraws of both playfields per frame doesn't significantly drop the game's frame rate – so why did the drawing functions have to be micro-optimized again? It would be possible in one pass by using the GRCG's TDW mode, which should theoretically be 8× faster, but I have to stop somewhere.

Next up: The final missing piece of TH04's and TH05's bullet-moving code, which will include a certain other type of projectile as well.

📝 Posted:

2022-01-31 09:17 UTC

🚚 Summary of:

P0174, P0175, P0176, P0177, P0178, P0179, P0180, P0181

⌨ Commits:

27f901c...a0fe812, a0fe812...40ac9a7, 40ac9a7...c5dc45b, c5dc45b...5f0cabc, 5f0cabc...60621f8, 60621f8...9e5b344, 9e5b344...091f19f, 091f19f...313450f

💰 Funded by:

Ember2528, Yanga

🏷 Tags:

th01

+

rec98

-

gameplay

+

boss

+

sariel

+

danmaku-pattern

+

rng

+

waste

+

pc98

-

blitting

+

good-code

+

glitch

+

tcc

+

unused

+

jank

+

Here we go, TH01 Sariel! This is the single biggest boss fight in all of PC-98 Touhou: If we include all custom effect code we previously decompiled, it amounts to a total of 10.31% of all code in TH01 (and 3.14% overall). These 8 pushes cover the final 8.10% (or 2.47% overall), and are likely to be the single biggest delivery this project will ever see. Considering that I only managed to decompile 6.00% across all games in 2021, 2022 is already off to a much better start!

So, how can Sariel's code be that large? Well, we've got:

• 16 danmaku patterns; including the one snowflake detonating into a giant 94×32 hitbox
• Gratuitous usage of floating-point variables, bloating the binary thanks to Turbo C++ 4.0J's particularly horrid code generation
• The hatching birds that shoot pellets
• 3 separate particle systems, sharing the general idea, overall code structure, and blitting algorithm, but differing in every little detail
• The "gust of wind" background transition animation
• 5 sets of custom monochrome sprite animations, loaded from BOSS6GR?.GRC
• A further 3 hardcoded monochrome 8×8 sprites for the "swaying leaves" pattern during the second form

In total, it's just under 3,000 lines of C++ code, containing a total of 8 definite ZUN bugs, 3 of them being subpixel/pixel confusions. That might not look all too bad if you compare it to the 📝 player control function's 8 bugs in 900 lines of code, but given that Konngara had 0… (Edit (2022-07-17): Konngara contains two bugs after all: A 📝 possible heap corruption in test or debug mode, and the infamous 📝 temporary green discoloration.) And no, the code doesn't make it obvious whether ZUN coded Konngara or Sariel first; there's just as much evidence for either.

Some terminology before we start: Sariel's first form is separated into four phases, indicated by different background images, that cycle until Sariel's HP reach 0 and the second, single-phase form starts. The danmaku patterns within each phase are also on a cycle, and the game picks a random but limited number of patterns per phase before transitioning to the next one. The fight always starts at pattern 1 of phase 1 (the random purple lasers), and each new phase also starts at its respective first pattern.

Sariel's bugs already start at the graphics asset level, before any code gets to run. Some of the patterns include a wand raise animation, which is stored in BOSS6_2.BOS:

The "lowered wand" sprite is missing in this file simply because it's captured from the regular background image in VRAM, at the beginning of the fight and after every background transition. What I previously thought to be 📝 background storage code has therefore a different meaning in Sariel's case. Since this captured sprite is fully opaque, it will reset the entire 128×128 wand area… wait, 128×128, rather than 96×96? Yup, this lowered sprite is larger than necessary, wasting 1,967 bytes of conventional memory.
That still doesn't quite explain the second sprite in BOSS6_2.BOS though. Turns out that the black part is indeed meant to unblit the purple reflection (?) in the first sprite. But… that's not how you would correctly unblit that?

Just like Konngara, Sariel continues the approach of using a single function per danmaku pattern or custom entity. While I appreciate that this allows all pattern- and entity-specific state to be scoped locally to that one function, it quickly gets ugly as soon as such a function has to do more than one thing.
The "bird function" is particularly awful here: It's just one if(…) {…} else if(…) {…} else if(…) {…} chain with different branches for the subfunction parameter, with zero shared code between any of these branches. It also uses 64-bit floating-point double as its subpixel type… and since it also takes four of those as parameters (y'know, just in case the "spawn new bird" subfunction is called), every call site has to also push four double values onto the stack. Thanks to Turbo C++ even using the FPU for pushing a 0.0 constant, we have already reached maximum floating-point decadence before even having seen a single danmaku pattern. Why decadence? Every possible spawn position and velocity in both bird patterns just uses pixel resolution, with no fractional component in sight. And there goes another 720 bytes of conventional memory.

Speaking about bird patterns, the red-bird one is where we find the first code-level ZUN bug: The spawn cross circle sprite suddenly disappears after it finished spawning all the bird eggs. How can we tell it's a bug? Because there is code to smoothly fly this sprite off the playfield, that code just suddenly forgets that the sprite's position is stored in Q12.4 subpixels, and treats it as raw screen pixels instead. As a result, the well-intentioned 640×400 screen-space clipping rectangle effectively shrinks to 38×23 pixels in the top-left corner of the screen. Which the sprite is always outside of, and thus never rendered again.
The intended animation is easily restored though:

Also, did you know that birds actually have a quite unfair 14×38-pixel hitbox? Not that you'd ever collide with them in any of the patterns…

Another 3 of the 8 bugs can be found in the symmetric, interlaced spawn rays used in three of the patterns, and the 32×32 debris "sprites" shown at their endpoint, at the edge of the screen. You kinda have to commend ZUN's attention to detail here, and how he wrote a lot of code for those few rapidly animated pixels that you most likely don't even notice, especially with all the other wrong pixels resulting from rendering glitches. One of the bugs in the very final pattern of phase 4 even turns them into the vortex sprites from the second pattern in phase 1 during the first 5 frames of the first time the pattern is active, and I had to single-step the blitting calls to verify it.
It certainly was annoying how much time I spent making sense of these bugs, and all weird blitting offsets, for just a few pixels… Let's look at something more wholesome, shall we?

So far, we've only seen the PC-98 GRCG being used in RMW (read-modify-write) mode, which I previously 📝 explained in the context of TH01's red-white HP pattern. The second of its three modes, TCR (Tile Compare Read), affects VRAM reads rather than writes, and performs "color extraction" across all 4 bitplanes: Instead of returning raw 1bpp data from one plane, a VRAM read will instead return a bitmask, with a 1 bit at every pixel whose full 4-bit color exactly matches the color at that offset in the GRCG's tile register, and 0 everywhere else. Sariel uses this mode to make sure that the 2×2 particles and the wind effect are only blitted on top of "air color" pixels, with other parts of the background behaving like a mask. The algorithm:

1. Set the GRCG to TCR mode, and all 8 tile register dots to the air color
2. Read N bits from the target VRAM position to obtain an N-bit mask where all 1 bits indicate air color pixels at the respective position
3. AND that mask with the alpha plane of the sprite to be drawn, shifted to the correct start bit within the 8-pixel VRAM byte
4. Set the GRCG to RMW mode, and all 8 tile register dots to the color that should be drawn
5. Write the previously obtained bitmask to the same position in VRAM

Quite clever how the extracted colors double as a secondary alpha plane, making for another well-earned good-code tag. The wind effect really doesn't deserve it, though:

• ZUN calculates every intermediate result inside this function over and over and over again… Together with some ugly pointer arithmetic, this function turned into one of the most tedious decompilations in a long while.
• This gradual effect is blitted exclusively to the front page of VRAM, since parts of it need to be unblitted to create the illusion of a gust of wind. Then again, anything that moves on top of air-colored background – most likely the Orb – will also unblit whatever it covered of the effect…

As far as I can tell, ZUN didn't use TCR mode anywhere else in PC-98 Touhou. Tune in again later during a TH04 or TH05 push to learn about TDW, the final GRCG mode!

Speaking about the 2×2 particle systems, why do we need three of them? Their only observable difference lies in the way they move their particles:

1. Up or down in a straight line (used in phases 4 and 2, respectively)
2. Left or right in a straight line (used in the second form)
3. Left and right in a sinusoidal motion (used in phase 3, the "dark orange" one)

Out of all possible formats ZUN could have used for storing the positions and velocities of individual particles, he chose a) 64-bit / double-precision floating-point, and b) raw screen pixels. Want to take a guess at which data type is used for which particle system?

If you picked double for 1) and 2), and raw screen pixels for 3), you are of course correct! Not that I'm implying that it should have been the other way round – screen pixels would have perfectly fit all three systems use cases, as all 16-bit coordinates are extended to 32 bits for trigonometric calculations anyway. That's what, another 1.080 bytes of wasted conventional memory? And that's even calculated while keeping the current architecture, which allocates space for 3×30 particles as part of the game's global data, although only one of the three particle systems is active at any given time.

That's it for the first form, time to put on "Civilization of Magic"! Or "死なばもろとも"? Or "Theme of 地獄めくり"? Or whatever SYUGEN is supposed to mean…

… and the code of these final patterns comes out roughly as exciting as their in-game impact. With the big exception of the very final "swaying leaves" pattern: After 📝 Q4.4, 📝 Q28.4, 📝 Q24.8, and double variables, this pattern uses… decimal subpixels? Like, multiplying the number by 10, and using the decimal one's digit to represent the fractional part? Well, sure, if you really insist on moving the leaves in cleanly represented integer multiples of ⅒, which is infamously impossible in IEEE 754. Aside from aesthetic reasons, it only really combines less precision (10 possible fractions rather than the usual 16) with the inferior performance of having to use integer divisions and multiplications rather than simple bit shifts. And it's surely not because the leaf sprites needed an extended integer value range of [-3276, +3276], compared to Q12.4's [-2047, +2048]: They are clipped to 640×400 screen space anyway, and are removed as soon as they leave this area.

This pattern also contains the second bug in the "subpixel/pixel confusion hiding an entire animation" category, causing all of BOSS6GR4.GRC to effectively become unused:

At least their hitboxes are what you would expect, exactly covering the 30×30 pixels of Reimu's sprite. Both animation fixes are available on the th01_sariel_fixes branch.

After all that, Sariel's main function turned out fairly unspectacular, just putting everything together and adding some shake, transition, and color pulse effects with a bunch of unnecessary hardware palette changes. There is one reference to a missing BOSS6.GRP file during the first→second form transition, suggesting that Sariel originally had a separate "first form defeat" graphic, before it was replaced with just the shaking effect in the final game.
Speaking about the transition code, it is kind of funny how the… um, imperative and concrete nature of TH01 leads to these 2×24 lines of straight-line code. They kind of look like ZUN rattling off a laundry list of subsystems and raw variables to be reinitialized, making damn sure to not forget anything.

Whew! Second PC-98 Touhou boss completely decompiled, 29 to go, and they'll only get easier from here! 🎉 The next one in line, Elis, is somewhere between Konngara and Sariel as far as x86 instruction count is concerned, so that'll need to wait for some additional funding. Next up, therefore: Looking at a thing in TH03's main game code – really, I have little idea what it will be!

Now that the store is open again, also check out the 📝 updated RE progress overview I've posted together with this one. In addition to more RE, you can now also directly order a variety of mods; all of these are further explained in the order form itself.

📝 Posted:

2021-09-12 18:33 UTC

🚚 Summary of:

P0157

⌨ Commits:

4bc6405...bf7bb7e

💰 Funded by:

Yanga

🏷 Tags:

th01

+

rec98

-

pc98

-

animation

+

Yup, there still are features that can be fully covered in a single push and don't lead to sprawling blog posts. The giant STAGE number and HARRY UP messages, as well as the flashing transparent 東方★靈異伝 at the beginning of each scene are drawn by retrieving the glyphs for each letter from font ROM, and then "blitting" them to text RAM by placing a colored fullwidth 16×16 square at every pixel that is set in the font bitmap.
And 📝 once again, ZUN's code there matches the mediocre example code for the related hardware interrupt from the PC-9801 Programmers' Bible. It's not 100% copied this time, but definitely inspired by the code on page 121. Therefore, we can conclude that these letters are probably only displayed as these 16× scaled glyphs because that book had code on how to achieve this effect.

ZUN "improved" on the example code by implementing a write-only cursor over the entire text RAM that fills every 16×16 cell with a differently colored space character, fully clearing the text RAM as a side effect. For once, he even removed some redundancy here by using helper functions! It's all still far from good-code though. For example, there's a function for filling 5 rows worth of cells, which he uses for both the top and bottom margin of these letters. But since the bottom margin starts at the 22nd line, the code writes past the 25th line and into the second TRAM page. Good that this page is not used by either the hardware or the game.

These cursor functions can actually write any fullwidth JIS code point to text RAM… and seem to do that in a rather simplified way, because shouldn't you set the most significant bit to indicate the right half of a fullwidth character? That's what's written in the same book that ZUN copied all functions out of, after all. 🤔 Researching this led me down quite the rabbit hole, where I found an oddity in PC-98 text RAM rendering that no single one of the widely-used PC-98 emulators gets completely right. I'm almost done with the 2-push research into this issue, which will include fixes for DOSBox-X and Neko Project II. The only thing I'm missing to get these fully accurate is a screenshot of the output created by this binary, on any PC-98 model made by EPSON: 2021-09-12-jist0x28.com.zip That's the reason why this push was rather delayed. Thanks in advance to anyone who'd like to help with this!

In maybe more disappointing news: Sariel is going to be delayed for a while longer. 😕 The player- and HUD-related functions, which previously delayed further progress there, turned out to call a lot of not yet RE'd functions themselves. Seems as if we're doing most of the card-flipping code second, after all? Next up: Point and bomb items, which at least are a significant step in terms of position independence.

📝 Posted:

2021-06-21 13:49 UTC

🚚 Summary of:

P0147

⌨ Commits:

456b621...c940059

💰 Funded by:

Ember2528, -Tom-

🏷 Tags:

th04

+

th05

+

rec98

-

file-format

+

pc98

-

player

+

bomb

+

boss

+

shinki

+

ex-alice

+

animation

+

waste

+

Didn't quite get to cover background rendering for TH05's Stage 1-5 bosses in this one, as I had to reverse-engineer two more fundamental parts involved in boss background rendering before.

First, we got the those blocky transitions from stage tiles to bomb and boss backgrounds, loaded from BB*.BB and ST*.BB, respectively. These files store 16 frames of animation, with every bit corresponding to a 16×16 tile on the playfield. With 384×368 pixels to be covered, that would require 69 bytes per frame. But since that's a very odd number to work with in micro-optimized ASM, ZUN instead stores 512×512 pixels worth of bits, ending up with a frame size of 128 bytes, and a per-frame waste of 59 bytes. At least it was possible to decompile the core blitting function as __fastcall for once.
But wait, TH05 comes with, and loads, a bomb .BB file for every character, not just for the Reimu and Yuuka bomb transitions you see in-game… 🤔 Restoring those unused stage tile → bomb image transition animations for Mima and Marisa isn't that trivial without having decompiled their actual bomb animation functions before, so stay tuned!

Interestingly though, the code leaves out what would look like the most obvious optimization: All stage tiles are unconditionally redrawn each frame before they're erased again with the 16×16 blocks, no matter if they weren't covered by such a block in the previous frame, or are going to be covered by such a block in this frame. The same is true for the static bomb and boss background images, where ZUN simply didn't write a .CDG blitting function that takes the dirty tile array into account. If VRAM writes on PC-98 really were as slow as the games' README.TXT files claim them to be, shouldn't all the optimization work have gone towards minimizing them? Oh well, it's not like I have any idea what I'm talking about here. I'd better stop talking about anything relating to VRAM performance on PC-98…

Second, it finally was time to solve the long-standing confusion about all those callbacks that are supposed to render the playfield background. Given the aforementioned static bomb background images, ZUN chose to make this needlessly complicated. And so, we have two callback function pointers: One during bomb animations, one outside of bomb animations, and each boss update function is responsible for keeping the former in sync with the latter.

Other than that, this was one of the smoothest pushes we've had in a while; the hardest parts of boss background rendering all were part of 📝 the last push. Once you figured out that ZUN does indeed dynamically change hardware color #0 based on the current boss phase, the remaining one function for Shinki, and all of EX-Alice's background rendering becomes very straightforward and understandable.

Meanwhile, -Tom- told me about his plans to publicly release 📝 his TH05 scripting toolkit once TH05's MAIN.EXE would hit around 50% RE! That pretty much defines what the next bunch of generic TH05 pushes will go towards: bullets, shared boss code, and one full, concrete boss script to demonstrate how it's all combined. Next up, therefore: TH04's bullet firing code…? Yes, TH04's. I want to see what I'm doing before I tackle the undecompilable mess that is TH05's bullet firing code, and you all probably want readable code for that feature as well. Turns out it's also the perfect place for Blue Bolt's pending contributions.

📝 Posted:

2021-05-27 19:25 UTC

🚚 Summary of:

P0140, P0141, P0142

⌨ Commits:

d985811...d856f7d, d856f7d...5afee78, 5afee78...08bc188

💰 Funded by:

[Anonymous], rosenrose, Yanga

🏷 Tags:

th01

+

rec98

-

pc98

-

dosbox-x

+

gameplay

+

boss

+

konngara

+

danmaku-pattern

+

Alright, onto Konngara! Let's quickly move the escape sequences used later in the battle to C land, and then we can immediately decompile the loading and entrance animation function together with its filenames. Might as well reverse-engineer those escape sequences while I'm at it, though – even if they aren't implemented in DOSBox-X, they're well documented in all those Japanese PDFs, so this should be no big deal…

…wait, ESC )3 switches to "graph mode"? As opposed to the default "kanji mode", which can be re-entered via ESC )0? Let's look up graph mode in the PC-9801 Programmers' Bible then…

> Kanji cannot be handled in this mode.

…and that's apparently all it has to say. Why have it then, on a platform whose main selling point is a kanji ROM, and where Shift-JIS (and, well, 7-bit ASCII) are the only native encodings? No support for graph mode in DOSBox-X either… yeah, let's take a deep dive into NEC's IO.SYS, and get to the bottom of this.

And yes, graph mode pretty much just disables Shift-JIS decoding for characters written via INT 29h, the lowest-level way of "just printing a char" on DOS, which every printf() will ultimately end up calling. Turns out there is a use for it though, which we can spot by looking at the 8×16 half-width section of font ROM:

The half-width glyphs marked in red correspond to the byte ranges from 0x80-0x9F and 0xE0-0xFF… which Shift-JIS defines as lead bytes for two-byte, full-width characters. But if we turn off Shift-JIS decoding…

Jackpot, we get those half-width characters when printing their corresponding bytes.
I've re-implemented all my findings into DOSBox-X, which will include graph mode in the upcoming 0.83.14 release. If P0140 looks a bit empty as a result, that's why – most of the immediate feature work went into DOSBox-X, not into ReC98. That's the beauty of "anything" pushes.

So, after switching to graph mode, TH01 does… one of the slowest possible memset()s over all of text RAM – one printf(" ") call for every single one of its 80×25 half-width cells – before switching back to kanji mode. What a waste of RE time…? Oh well, at least we've now got plenty of proof that these weird escape sequences actually do nothing of interest.

As for the Konngara code itself… well, it's script-like code, what can you say. Maybe minimally sloppy in some places, but ultimately harmless.
One small thing that might not be widely known though: The large, blue-green Siddhaṃ seed syllables are supposed to show up immediately, with no delay between them? Good to know. Clocking your emulator too low tends to roll them down from the top of the screen, and will certainly add a noticeable delay between the four individual images.

… Wait, but this means that ZUN could have intended this "effect". Why else would he not only put those syllables into four individual images (and therefore add at least the latency of disk I/O between them), but also show them on the foreground VRAM page, rather than on the "back buffer"?

Meanwhile, in 📝 another instance of "maybe having gone too far in a few places": Expressing distances on the playfield as fractions of its width and height, just to avoid absolute numbers? Raw numbers are bad because they're in screen space in this game. But we've already been throwing PLAYFIELD_ constants into the mix as a way of explicitly communicating screen space, and keeping raw number literals for the actual playfield coordinates is looking increasingly sloppy… I don't know, fractions really seemed like the most sensible thing to do with what we're given here. 😐

So, 2 pushes in, and we've got the loading code, the entrance animation, facial expression rendering, and the first one out of Konngara's 12 danmaku patterns. Might not sound like much, but since that first pattern involves those blue-green diamond sprites and therefore is one of the more complicated ones, it all amounts to roughly 21.6% of Konngara's code. That's 7 more pushes to get Konngara done, then? Next up though: Two pushes of website improvements.

📝 Posted:

2020-12-18 17:43 UTC

🚚 Summary of:

P0130, P0131

⌨ Commits:

6d69ea8...576def5, 576def5...dc9e3ee

💰 Funded by:

Yanga

🏷 Tags:

th01

+

rec98

-

pc98

-

blitting

+

good-code

+

jank

+

gameplay

+

boss

+

rng

+

50% hype! 🎉 But as usual for TH01, even that final set of functions shared between all bosses had to consume two pushes rather than one…

First up, in the ongoing series "Things that TH01 draws to the PC-98 graphics layer that really should have been drawn to the text layer instead": The boss HP bar. Oh well, using the graphics layer at least made it possible to have this half-red, half-white pattern for the middle section.
This one pattern is drawn by making surprisingly good use of the GRCG. So far, we've only seen it used for fast monochrome drawing:

// Setting up fast drawing using color #9 (1001 in binary)
grcg_setmode(GC_RMW);
outportb(0x7E, 0xFF); // Plane 0: (B): (********)
outportb(0x7E, 0x00); // Plane 1: (R): (        )
outportb(0x7E, 0x00); // Plane 2: (G): (        )
outportb(0x7E, 0xFF); // Plane 3: (E): (********)

// Write a checkerboard pattern (* * * * ) in color #9 to the top-left corner,
// with transparent blanks. Requires only 1 VRAM write to a single bitplane:
// The GRCG automatically writes to the correct bitplanes, as specified above
*(uint8_t *)(MK_FP(0xA800, 0)) = 0xAA;

But since this is actually an 8-pixel tile register, we can set any 8-pixel pattern for any bitplane. This way, we can get different colors for every one of the 8 pixels, with still just a single VRAM write of the alpha mask to a single bitplane:

grcg_setmode(GC_RMW); //  Final color: (A7A7A7A7)
outportb(0x7E, 0x55); // Plane 0: (B): ( * * * *)
outportb(0x7E, 0xFF); // Plane 1: (R): (********)
outportb(0x7E, 0x55); // Plane 2: (G): ( * * * *)
outportb(0x7E, 0xAA); // Plane 3: (E): (* * * * )

And I thought TH01 only suffered the drawbacks of PC-98 hardware, making so little use of its actual features that it's perhaps not fair to even call it "a PC-98 game"… Still, I'd say that "bad PC-98 port of an idea" describes it best.

However, after that tiny flash of brilliance, the surrounding HP rendering code goes right back to being the typical sort of confusing TH01 jank. There's only a single function for the three distinct jobs of

• incrementing HP during the boss entrance animation,
• decrementing HP if hit by the Orb, and
• redrawing the entire bar, because it's still all in VRAM, and Sariel wants different backgrounds,

with magic numbers to select between all of these.

VRAM of course also means that the backgrounds behind the individual hit points have to be stored, so that they can be unblitted later as the boss is losing HP. That's no big deal though, right? Just allocate some memory, copy what's initially in VRAM, then blit it back later using your foundational set of blitting funct– oh, wait, TH01 doesn't have this sort of thing, right The closest thing, 📝 once again, are the .PTN functions. And so, the game ends up handling these 8×16 background sprites with 16×16 wrappers around functions for 32×32 sprites. That's quite the recipe for confusion, especially since ZUN preferred copy-pasting the necessary ridiculous arithmetic expressions for calculating positions, .PTN sprite IDs, and the ID of the 16×16 quarter inside the 32×32 sprite, instead of just writing simple helper functions. He did manage to make the result mostly bug-free this time around, though! (Edit (2022-05-31): Nope, there's a 📝 potential heap corruption after all, which can be triggered in some fights in test mode (game t) or debug mode (game d).) There's one minor hit point discoloration bug if the red-white or white sections start at an odd number of hit points, but that's never the case for any of the original 7 bosses.
The remaining sloppiness is ultimately inconsequential as well: The game always backs up twice the number of hit point backgrounds, and thus uses twice the amount of memory actually required. Also, this self-restriction of only unblitting 16×16 pixels at a time requires any remaining odd hit point at the last position to, of course, be rendered again

After stumbling over the weakest imaginable random number generator, we finally arrive at the shared boss↔orb collision handling function, the final blocker among the final blockers. This function takes a whopping 12 parameters, 3 of them being references to int values, some of which are duplicated for every one of the 7 bosses, with no generic boss struct anywhere. 📝 Previously, I speculated that YuugenMagan might have been the first boss to be programmed for TH01. With all these variables though, there is some new evidence that SinGyoku might have been the first one after all: It's the only boss to use its own HP and phase frame variables, with the other bosses sharing the same two globals.

While this function only handles the response to a boss↔orb collision, it still does way too much to describe it briefly. Took me quite a while to frame it in terms of invincibility (which is the main impact of all of this that can be observed in gameplay code). That made at least some sort of sense, considering the other usages of the variables passed as references to that function. Turns out that YuugenMagan, Kikuri, and Elis abuse what's meant to be the "invincibility frame" variable as a frame counter for some of their animations 🙄
Oh well, the game at least doesn't call the collision handling function during those, so "invincibility frame" is technically still a correct variable name there.

And that's it! We're finally ready to start with Konngara, in 2021. I've been waiting quite a while for this, as all this high-level boss code is very likely to speed up TH01 progress quite a bit. Next up though: Closing out 2020 with more of the technical debt in the other games.

📝 Posted:

2020-11-16 20:39 UTC

🚚 Summary of:

P0126, P0127

⌨ Commits:

6c22af7...8b01657, 8b01657...dc65b59

💰 Funded by:

Blue Bolt, [Anonymous]

🏷 Tags:

th03

+

th04

+

th05

+

rec98

-

pc98

-

micro-optimization

+

tcc

+

tasm

+

meta

+

Alright, back to continuing the master.hpp transition started in P0124, and repaying technical debt. The last blog post already announced some ridiculous decompilations… and in fact, not a single one of the functions in these two pushes was decompilable into idiomatic C/C++ code.

As usual, that didn't keep me from trying though. The TH04 and TH05 version of the infamous 16-pixel-aligned, EGC-accelerated rectangle blitting function from page 1 to page 0 was fairly average as far as unreasonable decompilations are concerned.
The big blocker in TH03's MAIN.EXE, however, turned out to be the .MRS functions, used to render the gauge attack portraits and bomb backgrounds. The blitting code there uses the additional FS and GS segment registers provided by the Intel 386… which

1. are not supported by Turbo C++'s inline assembler, and
2. can't be turned into pointers, due to a compiler bug in Turbo C++ that generates wrong segment prefix opcodes for the _FS and _GS pseudo-registers.

Apparently I'm the first one to even try doing that with this compiler? I haven't found any other mention of this bug…
Compiling via assembly (#pragma inline) would work around this bug and generate the correct instructions. But that would incur yet another dependency on a 16-bit TASM, for something honestly quite insignificant.

What we can always do, however, is using __emit__() to simply output x86 opcodes anywhere in a function. Unlike spelled-out inline assembly, that can even be used in helper functions that are supposed to inline… which does in fact allow us to fully abstract away this compiler bug. Regular if() comparisons with pseudo-registers wouldn't inline, but "converting" them into C++ template function specializations does. All that's left is some C preprocessor abuse to turn the pseudo-registers into types, and then we do retain a normal-looking poke() call in the blitting functions in the end. 🤯

Yeah… the result is batshit insane. I may have gone too far in a few places…

One might certainly argue that all these ridiculous decompilations actually hurt the preservation angle of this project. "Clearly, ZUN couldn't have possibly written such unreasonable C++ code. So why pretend he did, and not just keep it all in its more natural ASM form?" Well, there are several reasons:

• Future port authors will merely have to translate all the pseudo-registers and inline assembly to C++. For the former, this is typically as easy as replacing them with newly declared local variables. No need to bother with function prolog and epilog code, calling conventions, or the build system.
• No duplication of constants and structures in ASM land.
• As a more expressive language, C++ can document the code much better. Meticulous documentation seems to have become the main attraction of ReC98 these days – I've seen it appreciated quite a number of times, and the continued financial support of all the backers speaks volumes. Mods, on the other hand, are still a rather rare sight.
• Having as few .ASM files in the source tree as possible looks better to casual visitors who just look at GitHub's repo language breakdown. This way, ReC98 will also turn from an "Assembly project" to its rightful state of "C++ project" much sooner.
• And finally, it's not like the ASM versions are gone – they're still part of the Git history.

Unfortunately, these pushes also demonstrated a second disadvantage in trying to decompile everything possible: Since Turbo C++ lacks TASM's fine-grained ability to enforce code alignment on certain multiples of bytes, it might actually be unfeasible to link in a C-compiled object file at its intended original position in some of the .EXE files it's used in. Which… you're only going to notice once you encounter such a case. Due to the slightly jumbled order of functions in the 📝 second, shared code segment, that might be long after you decompiled and successfully linked in the function everywhere else.

And then you'll have to throw away that decompilation after all 😕 Oh well. In this specific case (the lookup table generator for horizontally flipping images), that decompilation was a mess anyway, and probably helped nobody. I could have added a dummy .OBJ that does nothing but enforce the needed 2-byte alignment before the function if I really insisted on keeping the C version, but it really wasn't worth it.

Now that I've also described yet another meta-issue, maybe there'll really be nothing to say about the next technical debt pushes? Next up though: Back to actual progress again, with TH01. Which maybe even ends up pushing that game over the 50% RE mark?

📝 Posted:

2020-11-03 01:44 UTC

🚚 Summary of:

P0124, P0125

⌨ Commits:

72dfa09...056b1c7, 056b1c7...f6a3246

💰 Funded by:

Blue Bolt, [Anonymous]

🏷 Tags:

th02

+

th04

+

rec98

-

pc98

-

menu

+

waste

+

master.lib

+

Turns out that TH04's player selection menu is exactly three times as complicated as TH05's. Two screens for character and shot type rather than one, and a way more intricate implementation for saving and restoring the background behind the raised top and left edges of a character picture when moving the cursor between Reimu and Marisa. TH04 decides to backup precisely only the two 256×8 (top) and 8×244 (left) strips behind the edges, indicated in red in the picture below.

These take up just 4 KB of heap memory… but require custom blitting functions, and expanding this explicitly hardcoded approach to TH05's 4 characters would have been pretty annoying. So, rather than, uh, not explicitly hardcoding it all, ZUN decided to just be lazy with the backup area in TH05, saving the entire 640×400 screen, and thus spending 128 KB of heap memory on this rather simple selection shadow effect.

So, this really wasn't something to quickly get done during the first half of a push, even after already having done TH05's equivalent of this menu. But since life is very busy right now, I also used the occasion to start addressing another code organization annoyance: master.lib's single master.h header file.

• Now that ReC98 is trying to develop (or at least mimic) a more type-safe C++ foundation to model the PC-98 hardware, a pure C header (with counter-productive C++ extensions) is becoming increasingly unidiomatic. By moving some of the original assumptions about function parameters into the type system, we can also reduce the reliance on its Japanese-only documentation without having to translate it
• It's far from complete with regards to providing compile-time PC-98 hardware constants and helpful types. In fact, we started to add these in our own header files a long time ago.
• It's quite bloated, with at least 2800 lines of code that currently are #included into the vast majority of files, not counting master.h's recursively included C standard library headers. PC-98 Touhou only makes direct use of a rather small fraction of its contents.
• And finally, all the DOS/V compatibility definitions are especially useless in the context of ReC98. As I've noted 📝 time and 📝 time again, porting PC-98 Touhou to IBM-compatible DOS won't be easy, and MASTER_DOSV won't be helping much. Therefore, my upstream version of ReC98 will never include all of master.lib. There's no point in lengthening compile times for everyone by default, and those will be getting quite noticeable after moving to a full 16-bit build process.
  (Actually, what retro system ports should rather be doing: Get rid of master.lib's original ASM code, replace it with readable, modern C++, and then simply convert the optimized assembly output of modern compilers to your ISA of choice. Improving the landscape of such assembly or object file converters would benefit everyone!)

So, time to start a new master.hpp header that would contain just the declarations from master.h that PC-98 Touhou actually needs, plus some semantic (yes, semantic) sugar. Comparing just the old master.h to just the new master.hpp after roughly 60% of the transition has been completed, we get median build times of 319 ms for master.h, and 144 ms for master.hpp on my (admittedly rather slow) DOSBox setup. Nice!
As of this push, ReC98 consists of 107 translation units that have to be compiled with Turbo C++ 4.0J. Fully rebuilding all of these currently takes roughly 37.5 seconds in DOSBox. After the transition to master.hpp is done, we could therefore shave some 10 to 15 seconds off this time, simply by switching header files. And that's just the beginning, as this will also pave the way for further #include optimizations. Life in this codebase will be great!

Unfortunately, there wasn't enough time to repay some of the actual technical debt I was looking forward to, after all of this. Oh well, at least we now also have nice identifiers for the three different boldface options that are used when rendering text to VRAM, after procrastinating that issue for almost 11 months. Next up, assuming the existing subscriptions: More ridiculous decompilations of things that definitely weren't originally written in C, and a big blocker in TH03's MAIN.EXE.

📝 Posted:

2020-09-28 11:52 UTC

🚚 Summary of:

P0120, P0121

⌨ Commits:

453dd3c...3c008b6, 3c008b6...5c42fcd

💰 Funded by:

Yanga

🏷 Tags:

th01

+

rec98

-

pc98

-

blitting

+

waste

+

jank

+

boss

+

mima-th01

+

Back to TH01, and its boss sprite format… with a separate class for storing animations that only differs minutely from the 📝 regular boss entity class I covered last time? Decompiling this class was almost free, and the main reason why the first of these pushes ended up looking pretty huge.

Next up were the remaining shape drawing functions from the code segment that started with the .GRC functions. P0105 already started these with the (surprisingly sanely implemented) 8×8 diamond, star, and… uh, snowflake (?) sprites , prominently seen in the Konngara, Elis, and Sariel fights, respectively. Now, we've also got:

• ellipse arcs with a customizable angle distance between the individual dots – mostly just used for drawing full circles, though
• line loops – which are only used for the rotating white squares around Mima, meaning that the white star in the YuugenMagan fight got a completely redundant reimplementation
• and the surprisingly weirdest one, drawing the red invincibility sprites.

The weirdness becomes obvious with just a single screenshot:

First, we've got the obvious issue of the sprites not being clipped at the right edge of VRAM, with the rightmost pixels in each row of the sprite extending to the beginning of the next row. Well, that's just what you get if you insist on writing unique low-level blitting code for the majority of the individual sprites in the game… 🤷
More importantly though, the sprite sheet looks like this: So how do we even get these fully filled red diamonds?

Well, turns out that the sprites are never consistently unblitted during their 8 frames of animation. There is a function that looks like it unblits the sprite… except that it starts with by enabling the GRCG and… reading from the first bitplane on the background page? If this was the EGC, such a read would fill some internal registers with the contents of all 4 bitplanes, which can then subsequently be blitted to all 4 bitplanes of any VRAM page with a single memory write. But with the GRCG in RMW mode, reads do nothing special, and simply copy the memory contents of one bitplane to the read destination. Maybe ZUN thought that setting the RMW color to red also sets some internal 4-plane mask register to match that color?
Instead, the rather random pixels read from the first bitplane are then used as a mask for a second blit of the same red sprite. Effectively, this only really "unblits" the invincibility pixels that are drawn on top of Reimu's sprite. Since Reimu is drawn first, the invincibility sprites are overwritten anyway. But due to the palette color layout of Reimu's sprite, its pixels end up fully masking away any invincibility sprite pixels in that second blit, leaving VRAM untouched as a result. Anywhere else though, this animation quickly turns into the union of all animation frames.

Then again, if that 16-dot-aligned rectangular unblitting function is all you know about the EGC, and you can't be bothered to write a perfect unblitter for 8×8 sprites, it becomes obvious why you wouldn't want to use it:

Because Reimu would barely be visible under all that flicker. In comparison, those fully filled diamonds actually look pretty good.

After all that, the remaining time wouldn't have been enough for the next few essential classes, so I closed out the push with three more VRAM effects instead:

• Single-bitplane pixel inversion inside a 32×32 square – the main effect behind the discoloration seen in the bomb animation, as well as the expanding squares at the end of Kikuri's and Sariel's entrance animation
• EGC-accelerated VRAM row copies – the second half of smooth and fully hardware-accelerated scrolling for backgrounds that are twice the size of VRAM
• And finally, the VRAM page content transition function using meshed 8×8 squares, used for the blocky transition to Sariel's first and second phases. Which is quite ridiculous in just how needlessly bloated it is. I'm positive that this sort of thing could have also been accelerated using the PC-98's EGC… although simply writing better C would have already gone a long way. The function also comes with three unused mesh patterns.

And with that, ReC98, as a whole, is not only ⅓ done, but I've also fully caught up with the feature backlog for the first time in the history of this crowdfunding! Time to go into maintenance mode then, while we wait for the next pushes to be funded. Got a huge backlog of tiny maintenance issues to address at a leisurely pace, and of course there's also the 📝 16-bit build system waiting to be finished.

📝 Posted:

2020-06-13 19:25 UTC

🚚 Summary of:

P0096, P0097, P0098

⌨ Commits:

8ddb778...8283c5e, 8283c5e...600f036, 600f036...ad06748

💰 Funded by:

Ember2528, Yanga

🏷 Tags:

th01

+

rec98

-

file-format

+

pc98

-

blitting

+

gameplay

+

player

+

shot

+

jank

+

mod

+

tcc

+

So, let's finally look at some TH01 gameplay structures! The obvious choices here are player shots and pellets, which are conveniently located in the last code segment. Covering these would therefore also help in transferring some first bits of data in REIIDEN.EXE from ASM land to C land. (Splitting the data segment would still be quite annoying.) Player shots are immediately at the beginning…

…but wait, these are drawn as transparent sprites loaded from .PTN files. Guess we first have to spend a push on 📝 Part 2 of this format.
Hm, 4 functions for alpha-masked blitting and unblitting of both 16×16 and 32×32 .PTN sprites that align the X coordinate to a multiple of 8 (remember, the PC-98 uses a planar VRAM memory layout, where 8 pixels correspond to a byte), but only one function that supports unaligned blitting to any X coordinate, and only for 16×16 sprites? Which is only called twice? And doesn't come with a corresponding unblitting function?

Yeah, "unblitting". TH01 isn't double-buffered, and uses the PC-98's second VRAM page exclusively to store a stage's background and static sprites. Since the PC-98 has no hardware sprites, all you can do is write pixels into VRAM, and any animated sprite needs to be manually removed from VRAM at the beginning of each frame. Not using double-buffering theoretically allows TH01 to simply copy back all 128 KB of VRAM once per frame to do this. But that would be pretty wasteful, so TH01 just looks at all animated sprites, and selectively copies only their occupied pixels from the second to the first VRAM page.

Alright, player shot class methods… oh, wait, the collision functions directly act on the Yin-Yang Orb, so we first have to spend a push on that one. And that's where the impression we got from the .PTN functions is confirmed: The orb is, in fact, only ever displayed at byte-aligned X coordinates, divisible by 8. It's only thanks to the constant spinning that its movement appears at least somewhat smooth.
This is purely a rendering issue; internally, its position is tracked at pixel precision. Sadly, smooth orb rendering at any unaligned X coordinate wouldn't be that trivial of a mod, because well, the necessary functions for unaligned blitting and unblitting of 32×32 sprites don't exist in TH01's code. Then again, there's so much potential for optimization in this code, so it might be very possible to squeeze those additional two functions into the same C++ translation unit, even without position independence…

More importantly though, this was the right time to decompile the core functions controlling the orb physics – probably the highlight in these three pushes for most people.
Well, "physics". The X velocity is restricted to the 5 discrete states of -8, -4, 0, 4, and 8, and gravity is applied by simply adding 1 to the Y velocity every 5 frames No wonder that this can easily lead to situations in which the orb infinitely bounces from the ground.
At least fangame authors now have a reference of how ZUN did it originally, because really, this bad approximation of physics had to have been written that way on purpose. But hey, it uses 64-bit floating-point variables!

…sometimes at least, and quite randomly. This was also where I had to learn about Turbo C++'s floating-point code generation, and how rigorously it defines the order of instructions when mixing double and float variables in arithmetic or conditional expressions. This meant that I could only get ZUN's original instruction order by using literal constants instead of variables, which is impossible right now without somehow splitting the data segment. In the end, I had to resort to spelling out ⅔ of one function, and one conditional branch of another, in inline ASM. 😕 If ZUN had just written 16.0 instead of 16.0f there, I would have saved quite some hours of my life trying to decompile this correctly…

To sort of make up for the slowdown in progress, here's the TH01 orb physics debug mod I made to properly understand them. Edit (2022-07-12): This mod is outdated, 📝 the current version is here! 2020-06-13-TH01OrbPhysicsDebug.zip To use it, simply replace REIIDEN.EXE, and run the game in debug mode, via game d on the DOS prompt.
Its code might also serve as an example of how to achieve this sort of thing without position independence.

Alright, now it's time for player shots though. Yeah, sure, they don't move horizontally, so it's not too bad that those are also always rendered at byte-aligned positions. But, uh… why does this code only use the 16×16 alpha-masked unblitting function for decaying shots, and just sloppily unblits an entire 16×16 square everywhere else?

The worst part though: Unblitting, moving, and rendering player shots is done in a single function, in that order. And that's exactly where TH01's sprite flickering comes from. Since different types of sprites are free to overlap each other, you'd have to first unblit all types, then move all types, and then render all types, as done in later PC-98 Touhou games. If you do these three steps per-type instead, you will unblit sprites of other types that have been rendered before… and therefore end up with flicker.
Oh, and finally, ZUN also added an additional sloppy 16×16 square unblit call if a shot collides with a pellet or a boss, for some guaranteed flicker. Sigh.

And that's ⅓ of all ZUN code in TH01 decompiled! Next up: Pellets!

📝 Posted:

2020-05-31 15:47 UTC

🚚 Summary of:

P0095

⌨ Commits:

57a8487...8ddb778

💰 Funded by:

Yanga

🏷 Tags:

th01

+

rec98

-

position-independence

+

pc98

-

thief

+

🎉 TH01's OP.EXE and FUUIN.EXE are now fully position-independent! 🎉

What does this mean?

You can now add any data or code to TH01's main menu or ending cutscenes, by simply editing the ReC98 source, writing your mod in ASM or C++, and recompiling the code. Since all absolute memory addresses in OP and FUUIN have now been converted to labels, this will work without causing any instability. See the position independence section in the FAQ for a more thorough explanation about why this was a problem.
As an example, the most popular TH01 mod idea, replacing MDRV2 with PMD, could now at least be prototyped and tested in OP.EXE, without having to worry about x86 instruction lengths.
📝 Check the video I made for the TH04/TH05 OP.EXE PI announcement for a basic overview of how to do that.

What does this not mean?

The original ZUN code hasn't been completely decompiled yet. The final high-level parts of both the main menu and the cutscenes are still ASM, which might make modding a bit inconvenient right now.
It's not that much more code though, and could quickly be covered in a few pushes if requested. Due to the plentiful monthly subscriptions, the shop will stay closed for regular orders until the end of June, but backers with outstanding contributions could request that now if they want to – simply drop me a mail. Otherwise, the "generic TH01 RE" money will continue to go towards the main game. That way, we'll have more substance to show once we do decide to decompile the rest of OP.EXE and FUUIN.EXE, and likely get some press coverage as a result.

Then again, we've been building up to this point over the last few pushes, and it only really needed a quick look over the remaining false positives. The majority of the time therefore went towards more PI in REIIDEN.EXE, where the bitplane pointers for .BOS files yielded some quite big gains. Couldn't really find any obvious reason why ZUN used two slighly different variations on loading and blitting those files, though…

As the final function in this rather random push, we got TH01's hardware-powered scrolling function, used for screen shaking effects and the scrolling backgrounds at the start of the Final Boss stages. And while I tried to document all these I/O writes… it turned out that ZUN actually copied the entire function straight from the PC-9801 Programmers' Bible, with no changes. It's the setgsta() example function on page 150. Which is terribly suboptimal and bloated – all those integer divisions are really not how you'd write such code for a 16-bit compiler from the 90's…

And that gives us 60% PI overall, and 50% PI over all of TH01! Next up: More structures… and classes, even?

📝 Posted:

2020-03-03 12:17 UTC

🚚 Summary of:

P0080

⌨ Commits:

cd48aa3...0252da2

💰 Funded by:

Splashman, Ember2528

🏷 Tags:

th01

+

rec98

-

pc98

-

palette

+

Last part of TH01's main graphics function segment, and we've got even more code that alternates between being boring and being slightly weird. But at least, "boring" also meant "consistent" for once. And so progress continued to be as fast as expected from the last TH01 pushes, yielding 3.3% in TH01 RE%, and 1% in overall RE%, within a single day. There even was enough time to decompile another full code segment, which bundles all the hardware initialization and cleanup calls into single functions to be run when starting and exiting the game. Which might be interesting for at least one person, I guess

But seriously, trying to access page 2 on a system with only page 0 and 1? Had to get out my real PC-98 to double-check that I wasn't missing anything here, since every emulator only looks at the bottom bit of the page number. But real hardware seems to do the same, and there really is nothing special to it semantically, being equivalent to page 0. 🤷

Next up in TH01, we'll have some file format code!

📝 Posted:

2020-01-14 21:15 UTC

🚚 Summary of:

P0067, P0068, P0069

⌨ Commits:

e55a48b...ebb30ce, ebb30ce...2ac00d4, e0d0dcd...0f18dbc

💰 Funded by:

Splashman, Yanga, [Anonymous]

🏷 Tags:

th01

+

rec98

-

pc98

-

blitting

+

glitch

+

boss

+

mima-th01

+

yuugenmagan

+

Now that's more like the speed I was expecting! After a few more unused functions for palette fading and rectangle blitting, we've reached the big line drawing functions. And the biggest one among them, drawing a straight line at any angle between two points using Bresenham's algorithm, actually happens to be the single longest function present in more than one binary in all of PC-98 Touhou, and #23 on the list of individual longest functions.

And it technically has a ZUN bug! If you pass a point outside the (0, 0) - (639, 399) screen range, the function will calculate a new point at the edge of the screen, so that the resulting line will retain the angle intended by the points given. Except that it does so by calculating the line slope using an integer division rather than a floating-point one Doesn't seem like it actually causes any weirdly skewed lines to be drawn in-game, though; that case is only hit in the Mima boss fight, which draws a few lines with a bottom coordinate of 400 rather than the maximum of 399. It might also cause the wrong background pixels to be restored during parts of the YuugenMagan fight, leading to flickering sprites, but seriously, that's an issue everywhere you look in this game.

Together with the rendering-text-to-VRAM function we've mostly already known from TH02, this pushed the total RE percentage well over 20%, and almost doubled the TH01 RE percentage, all within three pushes. And comparatively, it went really smoothly, to the point (ha) where I even had enough time left to also include the single-point functions that come next in that code segment. Since about half of the remaining functions in OP.EXE are present in more than just itself, I'll be able to at least keep up this speed until OP.EXE hits the 70% RE mark. That is, as long as the backers' priorities continue to be generic RE or "giving some love to TH01"… we don't have a precedent for TH01's actual game code yet.

And that's all the TH01 progress funded for January! Next up, we actually do have a focus on TH03's game and scoring mechanics… or at least the foundation for that.

📝 Posted:

2019-11-18 21:28 UTC

🚚 Summary of:

P0059

⌨ Commits:

01de290...8b62780

💰 Funded by:

[Anonymous], -Tom-

🏷 Tags:

th04

+

th05

+

rec98

-

pc98

-

position-independence

+

uth05win

+

meta

+

With no feedback to 📝 last week's blog post, I assume you all are fine with how things are going? Alright then, another one towards position independence, with the same approach as before…

Since -Tom- wanted to learn something about how the PC-98 EGC is used in TH04 and TH05, I took a look at master.lib's egc_shift_*() functions. These simply do a hardware-accelerated memmove() of any VRAM region, and are used for screen shaking effects. Hover over the image below for the raw effect:

Then, I finally wanted to take a look at the bullet structures, but it required way too much reverse-engineering to even start within ¾ of a position independence push. Even with the help of uth05win – bullet handling was changed quite a bit from TH04 to TH05.

What I ultimately settled on was more raw, "boring" PI work based around an already known set of functions. For this one, I looked at vector construction… and this time, that actually made the games a little bit more position-independent, and wasn't just all about removing false positives from the calculation. This was one of the few sets of functions that would also apply to TH01, and it revealed just how chaotically that game was coded. This one commit shows three ways how ZUN stored regular 2D points in TH01:

• "regularly", like in master.lib's Point structure (X first, Y second)
• reversed, (Y first and X second), then obviously with two distinct variables declared next to each other
• and with multiple points stored in a structure of arrays.

… yeah. But in more productive news, this did actually lay the groundwork for TH04 and TH05 bullet structures. Which might even be coming up within the next big, 5-push order from Touhou Patch Center? These are the priorities I got from them, let's see how close I can get!

📝 Posted:

2018-12-30 01:46 UTC

🚚 Summary of:

P0043, P0044, P0045

⌨ Commits:

261d503...612beb8

💰 Funded by:

-Tom-

🏷 Tags:

th02

+

th03

+

th04

+

th05

+

rec98

-

pc98

-

blitting

+

uth05win

+

Turns out I had only been about half done with the drawing routines. The rest was all related to redrawing the scrolling stage backgrounds after other sprites were drawn on top. Since the PC-98 does have hardware-accelerated scrolling, but no hardware-accelerated sprites, everything that draws animated sprites into a scrolling VRAM must then also make sure that the background tiles covered by the sprite are redrawn in the next frame, which required a bit of ZUN code. And that are the functions that have been in the way of the expected rapid reverse-engineering progress that uth05win was supposed to bring. So, looks like everything's going to go really fast now?

📝 Posted:

2018-12-26 17:57 UTC

🚚 Summary of:

P0025, P0026, P0027

⌨ Commits:

0cde4b7...261d503

💰 Funded by:

zorg

🏷 Tags:

th02

+

th03

+

th04

+

th05

+

rec98

-

pc98

-

blitting

+

file-format

+

mod

+

… yeah, no, we won't get very far without figuring out these drawing routines.
Which process data that comes from the .STD files. Which has various arrays related to the background… including one to specify the scrolling speed. And wait, setting that to 0 actually is what starts a boss battle?

So, have a TH05 Boss Rush patch: 2018-12-26-TH05BossRush.zip Theoretically, this should have also worked for TH04, but for some reason, the Stage 3 boss gets stuck on the first phase if we do this?

Here's the diff for the Boss Rush. Turning it into a thcrap-style Skipgame patch is left as an exercise for the reader.

📝 Posted:

2018-12-06 22:38 UTC

🚚 Summary of:

P0040

⌨ Commits:

d7483c0...b03bc91

💰 Funded by:

-Tom-

🏷 Tags:

th04

+

th05

+

rec98

-

pc98

-

animation

+

Let's start this stretch with a pretty simple entity type, the growing and shrinking circles shown during bomb animations and around bosses in TH04 and TH05. Which can be drawn in varying colors… wait, what's all this inlined and duplicated GRCG mode and color setting code? Let's move that out into macros too, it takes up too much space when grepping for constants, and will raise a "wait, what was that I/O port doing again" question for most people reading the code again after a few months.

🎉 With this push, we've also hit a milestone! Less than 200,000 unknown x86 instructions remain until we've completely reverse-engineered all of PC-98 Touhou.

📝 Posted:

2018-09-17 22:05 UTC

🚚 Summary of:

P0019, P0020, P0021, P0022

⌨ Commits:

c592464, cbe8a37, 8dfc2cd, 79cc3ed

💰 Funded by:

zorg

🏷 Tags:

th03

+

th04

+

th05

+

rec98

-

pc98

-

input

+

> OK, let's do a quick ReC98 update before going back to thcrap, shouldn't take long > Hm, all that input code is kind of in the way, would be nice to cover that first to ease comparisons with uth05win's source code > What the hell, why does ZUN do this? Need to do more research > … > OK, research done, wait, what are those other functions doing? > Wha, everything about this is just ever so slightly awkward

Which ended up turning this one update into 2/10, 3/10, 4/10 and 5/10 of zorg's reverse-engineering commits. But at least we now got all shared input functions of TH02-TH05 covered and well understood.